Shooting the War

THE BREECH-LOADING RIFLE
From 1857 breech-loading rifles began to appear experimentally in the British Army. These, the first military breechloaders since the Ferguson rifle, were in fact all carbines and were issued for trial to certain cavalry regiments. There were four different patterns: the Terry and the Westley Richards, which were of British design, and the Sharps And the Greene, which were American.
The Terry carbine was made by the firm of Callisher & Terry of Birmingham and 28 Norfolk Street, London. It was a new firm, for it was only established in 1855, and the mechanism invented by the junior partner was patented in 1856. It is of particular interest in that it introduced into the British Army the bolt action, which was later to become almost universal for non-automatic military rifles. The Terry bolt had a coned head which fitted into the correspondingly shaped rear end of the chamber. The bolt was opened by a hinged handle, fitted at its rear end, which was pulled, outwards to withdraw it. When the bolt was closed part of the handle filled up the loading aperture. The bolt was held in position by rear locking lugs (foreshadowing later British practice) which bore against shoulders on the standing breech.
The Terry was of the type known as a ‘capping breechloader’. That is to say, the cartridge used with it contained only the charge of powder and the bullet, the detonating mixture being contained in a separate percussion cap. The Terry cartridge was made of nitrated paper and had a wad of greased felt behind the powder charge and attached to the base. After the discharge of the cartridge this wad remained in the breech and the following round was loaded behind it. After the next shot it was thrust forward in front of the bullet, cleaning and greasing the barrel.
The Terry carbine was a very successful weapon. It was purchased extensively by the Confederacy during the American Civil war and was known as the ‘door bolt’ breech-loader. The famous Confederate cavalry leader General Jeb Stuart had one.
The American Sharps carbine was a much earlier design, having been invented by Christian Sharps in 1848. Its most noteworthy .feature was a ‘falling’ breech block. This opened vertically when actuated by a trigger guard, hinged to move forwards and downwards; but it also fell open when the carbine was held muzzle down. The cartridge case was made of treated linen; and the breech block had a sharp forward edge which, as the block was closed, sliced off the end of this case to expose the powder. The linen was consumed on the explosion of the charge. The first models had separate percussion caps, but the later ones, including those supplied to the British Government, were fitted with the Maynard tape primer, which was rather similar to the strip of caps made for toy pistols, and which  was invented by an American dentist. (It almost seems as if Maynard was more interested in ammunition than he was in teeth, for in 1856 he patented a metallic cartridge with an expanding case.)
The Sharps carbine had an interesting, if somewhat disreputable, history in the years before the outbreak of the American Civil war. The admission of Kansas as a State of the Union was the occasion of a bitter struggle between those who wished to see slave labour introduced and those who were opposed to it. In Massachusetts the New England Emigrant Aid Company was formed to send settlers to Kansas who were opposed to slavery. Many of these were established in the Kansas town of Lawrence, and here armed clashes occurred with slave-state supporters from Missouri. Considerable damage was done in Lawrence both to the homes of the settlers and the public buildings. In revenge the famous, or infamous, John Brown (depending on one’s point of view), in company with a small body of settlers and four of his own sons, seized five of the principal advocates of the slavery movement and killed them. The New England Emigrant Aid Company had supplied the settlers with Sharps carbines-, and a further twenty-five were presented on behalf of the Congregational Church of Plymouth, Massachusetts, by its minister, the Reverend Henry Ward Beecher. From this latter source of supply the Sharps carbines acquired the colloquial name of `Beecher’s Bibles’.
In 1859 John Brown, in command of a motley detachment of eighteen men, including his sons, his brother-in-law and six negroes, seized the Federal Arsenal at Harper’s Ferry, Virginia. Armed with Beecher’s Bibles they then held off attacks by the local militia, until finally forced to surrender by Colonel Robert E. Lee in command of a small force of Marines. John Brown was hanged, but his name has been immortalized in a great Union song which has become one of the most rousing military marches of all time. The far greater man who captured him was to become the brilliant leader in the field of the forces which John Brown had opposed. In the meantime, amongst the relics of this episode is a Sharps ‘Beecher’s Bible’ carbine on which is engraved the name ‘John Brown Jr. .
The Greene, the other American carbine, had an entirely fixed breech and a barrel which rotated and moved forward for loading. The breech and the barrel’were locked’ together by lugs. The principle was not a new one, and the Greene does not seem to have been favourably received; for although 2000 were bought it appears that many were never issued.
The Westley Richards carbine was made by the famous-firm, the early history of which has already been given. As stated in Chapter X111, Westley Richards succeeded his father in 1855, and the name of the firm became Westley Richards & Company. Three years later he patented his capping breech-loader carbine. The mechanism of this, though rather complicated, was the most efficient of the four carbines. The breech was opened and closed by means of a long arm, the forward part of which was hinged to the rear of the barrel. When the breech was closed the rear end of the arm rested in a recess cut along the top of the small of the butt. Raising the arm vertically opened the breech. Attached to the under part of this arm was an elongated plunger, at the forward end of which was a brass breech plug. When closed, the rear end of the plunger butted against an iron shoe, which held it in position against the breech pressure. The plunger had a little free movement ‘fore and aft’ on the arm to ease the action of opening and closing. From its distinctive arm the Westley Richards acquire the nickname of ‘Monkey-Tail’. The cartridge was the same as that used with-the Terry carbine.
The Westley Richards was far the most successful of the four carbines under trial, and in 1861 it was approved as the firearm for the cavalry of the Army. Even when n the Snider was approved for all arms of the Regular Army, it was not entirely displaced; for it was issued to the Yeomanry and was the ‘Standard carbine of the second-line cavalry for many’ years. Abroad the Portuguese Government took a fancy to it and adopted it for use in the army.
Although the cavalry now had a breech-loading rifled firearm, the rest of the Army was equipped with the muzzle-loading Enfield, or (in the case of the Royal Engineers) Lancaster. Breech-loaders were, however, already a commonplace amongst sporting weapons, and it was clear that the muzzle-loader was obsolescent. Several foreign armies were now equipped or partially equipped with breech-loading rifles. Although the American Civil war had been mostly fought with muzzle-loaders, many units in the Union armies had been equipped with Sharps rifles, and several other makes were in use on both sides. On the continent of Europe the Prussian Army had adopted the bolt-action needle gun in 1848, and its superiority over the weapons of opposing armies was evident. in the wars against Denmark in 1864 and Austria in 1866.
In 1864, therefore, a Select Committee was appointed to consider the equipment of the whole Army with breech-loaders, and to study designs for this purpose. The Committee decided that the only practicable method of doing this quickly was to select a mechanism which would permit the conversion of the Army’s large stock of comparatively new muzzle-loading Enfields. Conversion could only be regarded as an interim measure, but it was considered that the selection of the best type of breech-loading rifle for the Army was of less urgency than the provision of some form of breech-loader.
The breech-loading mechanism which was chosen by the Committee was designed by Jacob Snider of New York. The breech was closed by a block which was hinged laterally on the right, and fitted into a recess behind the barrel. To open the breech a thumb piece was pressed which caused the block to swing over to the right. At first it was intended that the Enfield cartridge with its separate cap should be used, and the cap holder and ignition hole formed part of the block.
This was not, however, a very satisfactory answer, for it introduced certain weaknesses. It was decided, therefore, to use a cartridge which incorporated its own detonator. The original Enfield lock and hammer were still retained, but in. place of the nipple the block was pierced obliquely for a striker, the head of which protruded in the part of the block which had been occupied by the nipple. A centre-fire cartridge was adopted, and a claw extractor was fitted to the breech mechanism. This pulled the cartridge case partially out when the breech was opened, and it was then thrown clear by turning the .rifle upside down.
The first cartridge used had a cartridge paper body and a brass base. This was disappointing, and finally the brass-bodied cartridge devised by Colonel Boxer was adopted. This final development took place in 1.867; but in the meantime issue to the troops of the Snider-Enfield, already modified to take a centre-fire cartridge, had started in 1865.
The story of the self-contained cartridge is interesting. The first one seems to have been produced by the inventive Genevan gunsmith of Paris, Jean Samuel Pauly, whose invention of a pellet detonator in 1812 was mentioned in Chapter X. Some time between 1812 and 1815 Pauly produced a centre-fire paper cartridge, affixed to the base of which was a metal rosette containing the detonating mixture. The paper cartridge cannot have been very satisfactory, for shortly afterwards he tried a brass cartridge. The brass, however, was too thick and heavy for the casing t6 expand sufficiently to make a gas-tight seal.
It seems likely that little was required to make a success of Pauly’s invention; and yet, surprisingly, nothing further was apparently attempted for another fifteen years. In 1831 Moser, a foreign engineer, took out a British patent for a muzzle-loader which had a needle-fire cartridge. In 1836 rem Dreyse, a Prussian gunsmith. who had worked under Pauly, produced a breech-loading needle gun; and this was the bolt-action weapon which was adopted by the Prussian Army in 1848. The cartridge was made of combustible paper, and a pellet of fulminate was inserted between the powder charge and the bullet. Fitted to the bolt was a long needle-like striker which penetrated the base of the cartridge and went forward through the powder to pierce the doonator. Though successful in action, the needle gun was a dirty weapon. The needle got badly corroded and the breech became blocked with fouling.
The next major development was the invention by a Frenchman named Houillier, in 1846, of the pin-fire cartridge. The casing was made of thick coiled paper with a base of copper or brass. - Protruding at right angles from the side of the cartridge case, and at the base end where the wall was of metal, Was a pin. This pin was struck by a hammer, which drove it into a detonator inside the cartridge. The following year another Frenchman, Flobert, produced the first rim-fire cartridge. The principle of this has been explained in Chapter XIV, and it differs little from the rim-fire cartridges which are used to-day; chiefly for -22 calibre weapons.
In 185z Lancaster, who, it will be remembered, designed the muzzle-loading rifle which had been adopted for the Royal Engineers, brought out a breech-loading rifle which took a centre-fire cartridge of his own design. Inside the cartridge case, and a short distance from the base, was a perforated metal disc. Between this disc and the base was the detonating mixture: base, disc and detonator forming a sandwich. When the striker hit the base, it was indented, compressing the detonator and causing an explosion. The flash from the detonator passed through the perforations of the disc to the powder charge. The success of the Lancaster cartridge led to the adoption of a centre-fire cartridge for the Snider,
Some years previously, probably about 1839, another Frenchman, Pottet, invented a tapered expanding cartridge made of rolled paper with a metal base. In the centre of the base there was an aperture, and on the inner side of this was fixed a chamber containing a detonator, and having a small hole communicating with the powder charge. In 1857 Pottet patented his invention, but there was apparently no machinery available to manufacture it and hand manufacture would have been too expensive.
Yet another Frenchman, F. E. Schneider of Paris, patented an improved version of the Pottet cartridge, and this was introduced into England by the gunmaking firm of Witton and Daw (the successors to George H. Daw). This was the centre-fire cartridge which was selected for the Snider-Enfield. As has already-been said, it was not a complete success. The problem was then tackled by Colonel Boxer, Superintendent of the Royal Laboratory at Woolwich, with the result that he produced his very successful modification of 1867-
The Boxer cartridge hadacase made of thin sheet brass, coiled and covered with paper, and mounted on a separate base which was a disc, first of brass and later of iron. The hollow rivet which secured the cylinder to the base was the cap chamber. Oddly enough the Boxer principle was subsequently adopted by the United States of America, whilst the present bottlenecked type of cartridge now used in the British Army originated in the 187o design of Colonel Hiram Berdan of the United States Ordnance. Department.
The immediate requirements of the Army having been provided for, consideration was now given to the type of breech-loading rifle which should replace the Snider-Enfield. Eventually,.in 1871, the Martini-Henry was selected. This rifle combined the falling breech mechanism invented by an Austrian, von Martini, and the rifled barrel with seven grooves which had been designed by an Edinburgh gunsmith named Alexander Henry.
The Martini breech mechanism consisted of a block which was hinged at its rear end, and in which was a coiled spring to actuate the striker. Behind the trigger guard was a lever, which, when it was pulled down, lowered the front end of the block to uncover the breech, extracted and ejected the cartridge case, and cocked the striker. The loaded cartridge was then inserted by hand into the chamber. In its simplicity and efficiency the Martini action is one of the best that has ever been designed, and it is still the most popular for small-bore competition shooting. From a military point of view, however, it suffered from two very serious defects. Firstly, sand was liable to jam the mechanism, and this gave great trouble in the Egyptian campaign of 1882. Secondly, it was a single-shot weapon, and it was therefore doomed once the demand for magazine rifles arose.
Another defect in the Martini-Henry was Henry’s barrel. The grooves of the rifling were deep and square cut, with the result that fouling lodged in them very readily. The bore was smaller than that of the Snider-Enfield, being only -450 instead of -577.- In spite of this the Snider-Enfield was the pleasanter weapon to fire, for the Martini-Henry had a vicious kick of a recoil.
After some experimental models had been tested in 1972, the Martini-Henry Mark I was issued to the troops in 1874. The Mark II of 1876 and the Mark III of 1879 embodied minor modifications. In 1886 a Committee, convened as a result of the troubles experienced in the Egyptian campaign, recommended certain. improvements in the rifle, including a bore of ‘402- Some experimental models were made, known as the Enfield Martini; but as magazine rifles were already under investigation nothing came of them, and they were converted to Martini-Henrys of the normal pattern and designated Mark IV.
A great student of the science of rifling, William Ellis Metford, was born in Taunton in 1824. He became a civil engineer, and at an early age worked under the famous Isambard Kingdom Brunel on the construction of the Great Western Railway. Later he went to India as a railway engineer, but returned to England when his never very robust health broke down.
Metford had been interested in shooting both in practice and theory from his youth, and after he had been forced to give up his Indian career he had more time to devote to this hobby. From notes which he has left it is apparent that he was carrying out experimental work on rifles at least as early as i85o; and in 1852 he was firing rifles at i2oo yards’ range in pursuance of his experiments. By 1854 he was satisfied that, contrary to the general belief, the expansion of a bullet into the rifling -occurred immediately after the explosion of the charge and before it started to move forward. He also discovered that the explosion caused a rifle barrel to bend, so that when the bullet left the muzzle the barrel was pointing in a slightly different direction to the original point of aim.
Metford evolved a most ingenious method of testing his theories. He fired bullets into a long box filled with sawdust, and was thus able to recover them in the condition in which they had left the barrel of the rifle. From subsequent examination it was possible to tell whether there had been any leakage of explosion gases past a bullet, and the manner in which it had taken the rifling. From such experiments Met-ford found that the common practice of constructing very deep grooving in a rifled barrel was unnecessary, and that a longitudinal bullet with a good bearing surface would not strip, or ride over, the lands even when the grooves were very shallow. He also found that the generally held theory that a bullet must be made of pure .lead to be soft enough to be expanded by the explosion into the grooves was incorrect; and that, on the contrary, a much harder bullet of lead and an alloy would do.
Metford next constructed a rifle and bullets in accordance with his ideas. The grooves were only a few thousands of an inch deep, and the lead and alloy bullet had a shallow hollow ire the base and was protected from friction by a thin paper wrapping. A great friend of Metford’s, Colonel Halford, had his own private range at Wistow in Leicestershire. Here experiments were carried out with the new rifle. They were sufficiently successful for Metford to have a special rifle made in 1865 for match shooting. This had seven grooves of a depth of four-thousandths of an inch. Armed with this weapon, a muzzle-loader, Halford, entered the-competition held by the Cambridge University Long Range Club, which included practices at i 000 and i i oo yards. To the astonishment of the many critics-of the design, Halford won the cup presented for the best score on the two days’ shoot.
Metford’s ideas had come to stay, and they were soon being copied by all gunsmiths. For military rifles, unfortunately, Henry’s barrel had been adopted before the implications of Metford’s success had been really appreciated. In due course his rifling replaced Henry’s in the weapon of the British soldier, but before this happened there was a new development in bullet design. The bore of the Martini-Henry rifle, even though considerably smaller than that of the Snider-Enfield, was still very large. A reduction in the size of the bore would allow a smaller cartridge, and this in turn would result in the soldier being able to carry a greater quantity of ammunition in his personal equipment: an important consideration in view of the increased rate of fire which would be possible with the advent of the magazine rifle. With the existing muzzle velocity of the bullet, however, its size, which was dictated by the military requirement for stopping power, could not be reduced any further. If the velocity could be increased the same stopping.power could be obtained with a smaller bullet, but the lead bullets then used were too soft to be propelled at a faster rate down the barrel. The difficulty was solved by a Swiss, Colonel Rubin, who found that if the lead bullet was encased in a covering of a harder metal it would stand up to much greater velocities.
As a result of Colonel Rubin’s discovery the calibre of British Army rifles was reduced to -303 inch in 1888, and this is still the standard for all full-bore bolt-action rifles. The increased velocity was at first obtained by using a charge of compressed black powder. In the meantime a Committee was established under the presidency of Frederick Abel, an expert in the manufacture of explosives, to devise a smokeless propellent. A solution was found in a preparation based on the discoveries of the great Swiss engineer, Alfred Nobel. It was hardened into a long cord and given the name ‘cordite’. From 1892 it was used in all Service small arms ammunition. Cordite increased the velocity of the bullet from the i 800 feet per second of the compressed black powder charge, to 2000 feet per second. This was further increased to 2440 feet per second in 1911 when a still lighter pointed bullet was adopted.
The new rifle which was introduced into the British Army in 1888 was the Lee-Metford. It had Metford’s design of rifled barrel with the ‘303-inch calibre, and a bolt-action breech and magazine, both invented by a Scottish watchmaker named James Paris Lee. Lee’s bolt is a development of the breech mechanism which had’ first appeared in the Prussian needle gun of 1848 and subsequently in the French Chassepot of 18 66. The Lee action is still in use in the British Army, and is only now, some seventy years after its first introduction, being replaced by a semi-automatic mechanism.
The function of the bolt, briefly, is to push the cartridge into the breech, close the breech, fire the cartridge, and extract and eject the empty case. The cartridge is fired by a pin which is held back by a spring inside the bolt, and which projects through a hole in the bolt-head when the pressure of the trigger releases the spring. The Lee bolt was strongly criticized by leading British gunsmiths because it is held in position when closed by lugs at the rear of the bolt. Whereas, theoretically, in order that the minimum amount of metal should be under stress at the time of firing, front locking lugs should be used, as in the German Mauser and the. American Garand. However, the Lee rear locking lugs permit the use of a separate bolt-head, which facilitates cleaning and adjustment. Moreover, the Lee action is the fastest bolt-action ever to have been devised, and its retention in the Army after the Boer war and the two World Wars is a testament to its efficiency in action.
The Lee magazine is a separate box which is inserted under the breech mechanism and held in place by a spring clip. Inside is a platform which is pushed upwards from below by a spring in the base of the box. The cartridges are inserted on top of the platform and press it downwards, so compressing the spring. As one cartridge ‘is pushed forward by the bolt from the magazine, so the spring pushes another one upwards into place. The first magazine held eight rounds of the black powder ammunition. This was increased to ten rounds when the cordite ammunition was introduced.
From 18 go a number of the Martini action rifles were given the Metford barrel instead of the Henry. These conversions were known as Martini-Metfords. Between 1891 and 1892 a large number of the Martini-Henry Cavalry carbines and. Artillery carbines were similarly converted.
In x895 the Metford barrel was modified at Enfield by reducing the number of grooves in the rifling from seven to five. The new rifle was called the Lee-Enfield. Further rifle and carbine conversions from the Martini-Henrys received this barrel and became Martin i-En fields.
No bolt-action carbines were made until 1896, when a magazine Lee-Enfield Cavalry carbine was produced. All Artillery carbines, however, continued to have the single-shot Martini action. In addition, Colonial troops at the start of the Boer war were armed with the Martini-Enfield, and the Indian Army was equipped with it until i goS.
At the time the retention of single-shot weapons did not appear as such a disadvantage  as it would now; for the magazine was regarded as a reserve, and the rifle was fitted with a cut-out which slid across the magazine so that it could be cut off from the chamber. This was the normal position for firing, the rifle being reloaded by hand with a single round after each . shot. It was probably considered that ammunition supply in the field would present difficulties if the high rate of fire, which the magazine made possible, were used too freely. The comparative effectiveness of the new magazine rifles was demonstrated, however, at the battle of Omdurman. The British troops opened fire on -the charging dervishes at a range of 2000 yards and stopped them Soo yards from their position. The Egyptian and Sudanese troops, who had Martini-Henrys, opened fire at moo yards and stopped them 300 yards away.
The limited use of the magazine was found to be a handicap in the. Boer war. Once the reserve of rapid fire had been used there was no means of re-charging the magazines quickly. Lee had, indeed, invented a charger in 1892 by means of which five rounds could be loaded simultaneously. This was not considered necessary at the time but was eventually adopted as a result of the lessons of the Boer war.
The Boer war showed that fire power by mounted troops was at least as important as shock action, and the Martini carbine, with which most of the cavalry were armed, was a very ineffective weapon compared with the magazine Lee-Enfield of the mounted infantry. After the war it was therefore decided that carbines should be abolished and that there should be one pattern of rifle for the whole Army. In order to make it suitable for use by mounted troops the Lee-Enfield was reduced in length and entitled the Short Magazine Lee-Enfield (known to generations of soldiers as the S.M.L.E.). In compensation the bayonet was slightly lengthened.

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Colt’s first essay at production seems to have been in conjunction with a gunsmith named Pearson, who was to receive a fixed salary in return for paying the rental of a shop and forge antique ceramic wine coolers. The combination resulted in a small number of revolving pistols and rifles 12 arts and crafts dining chairs. Colt’s income, however, was not yet on a very sound basis, and the partnership broke up somewhat abruptly owing to Pearson’s salary being chronically some months in arrears arts and crafts furniture, antique collectors.
The flame leak trouble in Colt’s arms was finally remedied by removing the frontal plate, and providing a loading lever which drove a slightly oversize ball into the chamber reproduction quality 19th century louis xv fauteuil (armchair) with a rococo hand-carved, floral-scrolled, giltwood frame,. This both prevented the nuisance of the bullet rolling out accidentally and sealed the charge biedermeier gothic commode.
Colt obtained patents in Great Britain, France and the United States in 1835, and his fortunes began to improve hepplewhite revival foldover dining table. The Patent Arms Manufacturing Company of Paterson, New Jersey, set up a plant for the production of Colt rifles and revolvers barker brothers furniture. The revolvers were turned out in a number of different models vienna-style trembleuse. There were three different sizes of frame, and a variety of different barrel lengths and calibres antique french ormulu furniture. In the smallest category the barrels ranged from 21 inches to 4J inches in length, and there were calibres of -28, -31 and ‘34 inches drop leaf table stable base. The next size frame was intended to be carried on a belt, and embraced barrels of from 4 to 6 inches and calibres Of -31 and ‘34 parts of chambersticks. The largest size was a holster weapon with barrels ranging from 4 to 12 inches, all with a calibre of ‘36 etling france 110 “opalescent glass”.
In 1840 the Patent Arms Company failed financially, and five years later the Colt plant was forced to close antique oak drop leaf table with casters. Samuel Colt art deco ceramics. was now back on the rocks with no establishment, no machinery and precious antique pottery matt green tea decanter. little money opalescent etched glass. At this juncture, however, fortune presented Samuel Colt with a war; for in 1846 hostilities broke out between the United States and Mexico sedish design daybed. Ten years previously Captain Walker had used Colt revolving rifles in one of the Indian campaigns, and had been very favourably impressed with them czechoslovakian antique porcelain. He now obtained authority from the Secretary of War to order i000 Colt revolvers hankerchief table mahogany. To meet this order Colt persuaded Eli Whitney, Junior; to undertake the manufacture, and embodied some improvements suggested by Walker as a result of practical experience kent extending antique table.
These first military Colts were of -44 calibre with a barrel length of nine inches table octagon marquetry drawer. Their immediate success resulted in an order for a further i000 antique 17th century drop leaf tables. By this time Colt had established a factory of his own at Hartford, and was consequently able to manufacture the revolvers for the new order himself european antique lectern pedestal table. They differed from the 18th century austrian porcelain. earlier batch in having shorter barrels of 71 inches, and the length of the cylinders was reduced by a quarter of an inch “french trestle tables”. They were subsequently known as ‘Hartford Dragoons’ antique desk makers collector.
In 1848 Colt produced the best known and most successful of all his muzzle-loading revolvers antique draw table trestle. This was the so-called `Navy Colt’ oriental writing bureau cabinet. It had the same barrel length as the ‘Dragoon’ but was a much lighter weapon, with a calibre of only -36 inch josef hoffmann chair. It had a rifling of seven grooves and a six-chamber cylinder secretaire art deco. The mechanism was single action, and cocked by the thumb antique rosewood dining table lion feet. On the earlier models, at any rate, the cylinder was engraved with the picture of a fight at sea, and this is supposed to have been the reason for the popular name of the weapon pictures of early to mid 1800 dressing tables.
The Navy Colt was not without its faults “lit en bateau”. Certain of the components were very liable to break, but Colt overcame this drawback by supplying an enormous quantity of spares for the weak parts, and distributing them to all the establishments of contemporary American civilization where they were likely to be requested art nouveau sideboard.
The Great Exhibition at the Crystal Palace was opened in 1851, and Samuel Colt, now a Colonel, seized the opportunity to assault the English market serving sideboards. Subsequent events have been most entertainingly described by Mr antique dresser with turned leg. R silver forks. Scurfield in his outstanding article, ‘Early British Regulation Revolvers’, published in the Journal of the Society for ,Yrmy Historical Research porcelain butterfly: french symbolist poets, verlaine. He says:
`It is notable that (except in America) all revolvers were regarded with suspicion before 1851—the year of the Great Exhibition—although they had been in fairly wide circulation from the x82o’s, when the first hand-rotated “pepperpots”, built on the bodies of centre-hammer percussion pocket pistols, appeared end table ivory inlaid india wwii. The reason for this distrust was a two-fold one: in the first place, all the pre-1852 English types (with perhaps one exception) had radial nipples (i antique desk when thay were made.e rectangular oak gateleg table., nipples at right-angles to the bore), and the result was that in the small calibres generally used fouling accumulated in the chambers under the nipples and caused miss-fires; in the second place, the actions were so defective in design (and often in workmanship as well) that they could not be relied upon to work properly; result, more miss-fires, especially in the very numerous self-cocking pistols double roll antique desk. Thus, so far as the armed forces were concerned, the authorities found their inevitable reluctance to introduce a new weapon for the rank and file supported for once by well-founded practical and technical considerations, while officers (although a few did experiment with larger calibre “pepperpots” and “transition” revolvers, the latter mostly thumb-cocking) hesitated for the most part to discard their powerful and trustworthy single or double-barrelled pistols telescoping dining table. The net result was that the revolver was ignored, or condemned as a new-fangled toy, in the Army and Navy indian vernacular furniture. `But the Great Exhibition changed all that pennsylvania dutch antique china cabinet hand painted pictures. Not only was the Colt revolving pistol on show, in several calibres and barrel lengths, but the great Colonel Sam Colt himself came to London, equipped with a large number of presentation revolvers (engraved, silver-plated, and ivory-butted) for distribution in interested and influential quarters, and exercising his undoubted talent for commercial publicity (of which dubious art he can be regarded as the father); and to everyone’s surprise the English gun trade produced, and exhibited, a rival to the Colt—a rival at least as good, if not better art deco inlay dresser. This was the Adams revolver, the invention of Robert Adams, a partner in the firm of Deane, Adams & Deane, of King William Street in the City birmingham silver finial designs. Adams, too, had a very good idea of the value of publicity and surprise, for he appears to have kept his new arm perfectly and completely in the dark until the Exhibition opened; it was not even patented until February, 18 5 1 17th century japanese imari porcelain.
`But there was to be no more indifference to the revolver in those circles interested in firearms decoart. The value of the Adams and the Colt was plain to all, and the old objections no longer held good; but a prolonged and most entertaining controversy, based essentially (apart from personalities, especially the personality of Sam Colt, who seems to have made as many enemies as friends) on the relative excellence of self-cocking (Adams) and thumb-cocking (Colt) actions went on intermittently until it was eventually decided (for Englishmen, at any rate) in favour of the Adams antique hanging corner display cabinet. The most amusing event in the squabble seems to have been a public lecture on his revolver by Colonel Colt, which was interrupted by a partisan of the Adams (some say Robert Adams himself) leaping to his feet brandishing a specimen of that make of pistol, and shouting to make himself heard in its praise-, after which the proceedings degenerated into a wrangle which soon became a free-for-all german cabinet-makers of the 18th century.’
Robert Adams, who had produced such a dramatic challenge to Colt, was associated with his brother John and John Deane in the firm of Deane, Adams and Deane 3 tiered dessert table mahogany antique rectangular. The partnership was only formed in 1851, presumably to manufacture the Adams revolvers, and was dissolved again five years later victorian tripod small table pillar and claw. In this short period, however, both the original revolver and all the various modifications to it appeared imatation marble antique bedromm suit.
At this stage, before describing Robert Adams’ designs, it would be well to consider the terms single-action and double-action as used in connection with revolvers; for their meanings seem to have altered during the course of the years antique victorian wood stool chamber pot. Originally `thumb-cocking’ was applied to an action in which the hammer was cocked by hand, and the movement at the same time actuated the pawl which rotated the cylinder to the next chamber and locked it in position while the shot was fired 1970s ashtray “art deco” style. `Self-cocking’, on the other hand, was used of an action where the pull on the trigger first cocked the hammer, at the same time performing the other actions mentioned above, and then released the hammer to fire the shot new deco furniture. Both these types were called single-action ebonized aesthetic movement credenza. A double-action revolver implied one which could be either self-cocked or thumb-cocked george ii burr walnut tallboy. But now, in the Fighting Services at any rate, thumb-cocking is described as single-action, and self-cocking as double-action antique bed acanthus paw feet. The future use of these terms in this work will refer to their modern meaning candelabra made in england.
Samuel Colt used single-action, whilst Robert Adams’ revolvers were double-action delatte nancy. Single-action was popular since only a light pull was required to release the hammer: a great help to accurate shooting antique coffee tables carved with romans playing instruments under oval glass. In addition it permitted very rapid fire, by ‘fanning’ the hammer 18th century chest antique. This method of shooting consisted of tying back the trigger, or holding it in the fire position, and flicking the hammer back with the palm of the free hand wedgewood porcelain swan base for pots de creme. An expert could fire six aimed shots in under three seconds, which made this method of using a Colt very popular in those parts where the American way of life was still somewhat uninhibited antique mahogany satin wood inlay and metal tray antique mahogany satin wood inlay and metal tray.
Double-action, on the other hand, had many advantages in the heat of battle when targets might present themselves quickly and from unexpected* directions doucai ming. It was then simpler and safer to pull the trigger only, rather than to co-ordinate the actions of finger and thumb cabriole iron legs table. Further, if slower than `fanning’, double-action could produce a much faster rate of fire than single-action antique dressing table with mirror for women ( designs).
Adams’ revolvers differed most-strongly from Colt’s in being double-action oval lacquer tea table. In addition, however, they were far more strongly made, since the barrel and body were forged in one piece english ironstone pottery. The cylinder, on the other hand, only had five chambers as compared with six in the case of the Colt bentwood rocking chair 1880 uk.
There were five models of the first Adams revolvers english hepplewhite revolving rent table. The largest had a 71-inch barrel of -50-inch calibre antique furniture 1800. The next size was much smaller with a 543-inch barrel and a calibre of ‘45 inch louis xv dining tables 8. Following this, a slightly longer barrel of 6 inches was combined with a smaller calibre of ‘38 inches antique commode on legs. Then came-a 41-inch barrel with -32 calibre; and a very small weapon with 3-11 lions paw on antique furniture.- inches of barrel and only -24-inch calibre royal vienna porcelain signed meyer.
In 1854 the ‘Government set up a Select Committee on Small Arms, and this body arranged for tests at Woolwich Arsenal to assess the relative merits of the Colt and Adams revolvers checkoslovakian glass decanter. The tests do not seem to have established a marked superiority by, either weapon gate leg drop leaf tables. The Select Committee preferred the Adams, but their report presumably showed that the margin value for antique china made in austria.of preference was very narrow, for the War Office purchased a large number of Colts in the following year cylinder bureau german. Most of these were issued to the Navy how to repair veneer table on couch.
In 1855 a great improvement was made in the Adams revolver by the incorporation of an invention by Captain F 19th century english cabinet makers. B staffordshire pearlware figures french revolution. E english george iii hepplewhite satinwood bedside cabinet. Beaumont, R paul de lamerie reproduction.E louis sue furniture dressing table 1933., by which the weapon could be used for either single- or double-action antiqu. This pattern of revolver was accepted for the Army, since it obviously embodied the advantages of both the Colt and the original Adams gateleg table imperial furniture. The following year it was succeeded by a similar but slightly improved model, and the last revolver which Robert Adams designed mid centru drum side table.
The Beaumont invention ruined Colt’s English market, and in 1857 the new Pimlico factory and the shop and show-room at No “brass drum tables”. i Spring Gardens, Cockspur Street, London, were closed down, and the American technicians recrossed antique rococo figurines. the Atlantic antique gate legged drop leaf table. The Colt connection was retained by a sales and show room which was established at 14 Pall Mall, where Colt arms made in America could be purchased rosewood chaise lounge 19c. Nevertheless, in spite of the short life of Colt’s English establishment, his revolvers lasted for a long time in the Navy art nouveau france origins. They remained as standard arms until 1862, and some may have remained in use until after 1880 can decorative moulding be antique bookcase.
The Adams revolvers were purchased by the Government, rather oddly, in two different calibres: -So and ‘45 inches; and were apparently issued quite indiscriminately; though there were far more of the smaller calibre serving tables.
In 1856 the Deane and Adams partnership split up antique tambour dining table -clock -desk. Robert and John Adams formed with the assistance of John Kerr (of Kerr & Co arita imari mark., gunmakers, in which he was in partnership with his brother James) the London Armoury Co arita kraak. This new firm took over all the Adams patents antique double pedestal dining room table. In 1858 Kerr & Co antigue oak mid century dining table with draw out leaves. produced a single-action revolver with a 51-inch barrel and made in two made in czechoslovakia initials. different calibres of ‘44 and ‘38 inches fire screen table. A year later they made a double-action revolver late pembroke breakfast table value. The Kerr patents were taken over in turn by the London Armoury Co antique spiral leg oak dropleaf table., and the revolvers were adopted officially by the Portuguese Army and purchased by the Confederate States of America berkey and gay.
In the meantime John Deane had opened his own establish-ment in London Bridge Stfeet, in London; and in 1858 had taken over the percussion revolver patents of William Harding 1930s drop leaf sofa tables. The weapon which was subsequently manufactured was known as the ‘Deane-Harding’ revolver antique 6 ft. st. louis credenza values. It was a double-action piece made in two calibres of ‘44 and -32 inches collapsible antique wardrobe. It had a very complicated lock, and for this reason was rejected as a Service weapon 16th century trestle refectory table. It was, however, much purchased privately by officers of both the British and ‘John Company’s’ Armies what types of materials were used in george hepplewhite furniture. In addition, the Confederate Government purchased a number of Deane-Hardings antique 19th mahogany hepplewhite card table.
Closely associated with the Adams brother’s was a relation or connection named William Tranter; a Birmingham gunsmith who later opened an establishment in London antique talavera for sale. There he manufactured many of the Adams revolvers grand furniture russia. In 1853 he patented a revolver of his own antique trestle refectory table. This had the peculiar feature of two triggers vilas furniture antique. One was for cocking the hammer and the other for firing rookwood nursery tiles. Three years later he brought out an improved type which had only, one trigger and double-action leopold stickly table 1959. There were three classes of this model: the ‘Dragoon’, of -So calibre and a barrel length Of 71 or 8 inches; the ‘Navy, ‘44 calibre and barrel 51 or 6J inches; and the small ‘Pocket’, ‘32 calibre and barrel 4 inches pattern for making victorian wash stands. Of these, the ‘Dragoon’ could be supplied with a detachable carbine stock 18th century antique gate leg table.
In 1858 Tranter secured a Government contract for his `Dragoon’ and ‘Navy’ models italian,furniture,maker,address.

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The 1802 pattern musket was issued to the 43rd and 52nd Regiments (now the 1st and 2nd Battalions of The Oxfordshire and Buckinghamshire Light Infantry) in probably 1803, and it may be that soon after, slow issue started to troops on the Home establishment as the muskets became available art and crafts of a dragonfly that have inspired designers. It is doubtful, however, whether many units had yet received the new weapon when Napoleon finally departed from the scene en route to St “making furniture”   armchair legs. Helena antique creamware tankards.
In spite of its slow distribution the- r8o2 pattern musket became the standard army weapon, and it appears to have been successful and well liked antique wood plate racks.
It was not only in the musket that the Nock influence was apparent antique square drop leaf table. A few years earlier, in 1796, the ‘Brown Bess’ carbines and pistols of the heavy cavalry (which a Board of General Officers considered ‘inconvenient, useless and cumbersome’) had been replaced by other patterns which were practically identical with the Nock trial models of 1785 but with gaudi roundel. conventional locks wells coates. They had 26-inch and 9-inch barrels respectively, both of musket bore rococo writing table.
A much more remarkable carbine was issued to the light cavalry in somewhere about 1800 gustavian furniture copenhagen. This was the so-called `Paget’ carbine, which is supposed to have been invented by Lord Paget, the famous British cavalry general mid 19th  century wooden furniture. It was noteworthy in two respects queen ann gate leg table. The barrel, of carbine bore, was by far the shortest that had ever been designed for a British carbine; being only sixteen inches, which made it a very light and handy weapon fora horseman orrefors blown glass & stemware & smoky gray. Of particular benefit to the mounted soldier, however, was the attachment of the iron ramrod biedermeier antique de. This was a link, known as a ’stirrup’, fitted near the muzzle, which kept the ramrod permanently attached to the piece, even when in use, so that there was no chance of the rod being accidentally dropped william iv “furniture”. This had always been one of the main troubles in loading firearms on horseback robert adams marquetry.
A pistol was brought out at the same time as the carbine, also with the ‘Paget’ stirrup ramrod, and the same lock as fitted to the carbine chippendale pedistal drum table. In other respects it was similar to the pistol first issued to the Light Dragoon regiments in 1759-
Both these ‘Paget’ weapons were so successful that they continued in use until flintlocks finally disappeared from the Army english ironstone pottery ltd.
Whilst Lord Chatham was worrying about the new musket, and the light cavalry was being equipped with its new ‘Paget’ arms, a much more important event was taking place in the history of British military firearms when were claw feet intoduced to teapots. This was the first official issue of a rifle to the British Army ” rococo revival” console english french.
It having been decided to raise an ‘Experimental Corps of Riflemen’ (later to become the Rifle Brigade), a competition was held on the 4th February i800 at Woolwich Arsenal to select a suitable weapon from models submitted by British, German and American gunsmiths antique spindle leg drop leaf side table. The winning competitor was Ezekiel Baker of Whitechapel in London antique czechoslovakia porcelain vase.
Ezekiel Baker had already been established for twenty-five years in his gunshop at 24 Whitechapel Road when he produced his winning design for a muzzle-loading rifled musket 19 c entree dish handle. He was originally apprenticed to Henry Nock, but was destined to surpass even that famous master antique george washington porcelain figures. At the time of the rifle trial he already held Government contracts for smoothbore muskets, carbines and pistols, and similar contracts from the Honourable East India Company antique dining table french regency.
Baker’s rifling was unique george 3rd italian furniture designer. Instead of the three-quarters of a turn which the Ferguson rifling had had, and which was still a normal twist on the Continent and in America, the Baker rifle had only a quarter of a turn antique italian baroque armchairs. In response to considerable adverse criticism of such a slight degree of twist, Baker justified his design on the ground that cutting down the twist reduced the friction in the barrel cherry gate leg rectangular table. This resulted in a flat trajectory for the first two or three hundred yards, and also made it easier to load the rifle drop leaf gate leg side table mahogany.
The length of the barrel and the calibre of the bore were at first the subject of considerable difference of opinion between Baker and the Board of Ordnance thonet rail styles. The military requirement was for a weapon which would have the standard light infantry musket barrel of thirty-nine inches, and the calibre of the smooth-bore musket, in order that the same-sized bullet could be used for all infantry elijah staffordshire figure. Baker accordingly made some rifles to these dimensions and demonstrated, as he had already contended, that they were far too clumsy for practical use splay leg sofa table. As a result it was decided to have a 3o-inch barrel with the standard carbine bore of 20 (a calibre of -61S) antique tables pictures. There were seven grooves in the barrel, as compared with eight in the Ferguson rifle art deco intended customers.
The Baker rifle was at first fitted with an adjustable back-sight; but this was soon discarded as adding an unnecessary complication for the soldier in battle italian clock marble antique hermle. Instead the rifleman was taught to aim at the enemy’s cross-belts for all distances up to Zoo yards, and at his head and shoulders for any greater range antique jugend style cupboard. As regards the accuracy obtainable with his rifle at such a target with the fixed sight, Baker has recorded a test which he carried out himself antique dutch desk. He put up two man-size targets, one at ioo yards from the firing point, and the other at Zoo drop leaf table with brass feet. He then fired thirty-four shots at the first target and twenty-four at the second dutch card table rosewood 18th century. All of them hit somewhere, though scattered over the entire body silver dishes. When these results are compared with Colonel Hanger’s remarks on the accuracy of Brown Bess, and the tests carried out on the same weapon by the Royal Engineers in 184 1, the vast superiority of the Baker rifle will be appreciated burslem yellow trellis ceramics. That is not to say that the Baker rifle compared in accuracy with the target rifles used by the great shots of the day; but Baker contended, rightly, that his rifle was suited to the military purpose for which it was designed wallendorf candelabras.
The standard carbine bore bullet was, of course, loose-fitting, but it was intended that it should be used in conjunction with a greased patch, which gave the necessary grip to the rifling covered bowl antique chinese doucai. Baker, in his book Remarks on Rifle Guns, gives a very interesting description of the way his rifle should be loaded art deco cigarette dispenser. He says:
`In apportioning the quantity of powder for a rifle one charge for all distances should be carefully attended to, and if the powder be good, I have ascertained that nearly one third of the weight of the ball, priming included, is the best estimate art deco writing table. After you have loaded the piece with powder, then put the greased patch of leather, calico, or soft rag, provided for that purpose, on the end of the barrel, as near the centre as possible, place the ball upon it, with the neck or tastable where it is cut off from the moulds, downwards, as generally there is a small hole or cavity in it, which would gather the air in its flight, but if this plan is adopted, and the smooth side always kept up%vards in the barrel, it will not be so liable to be obstructed in its passage through the atmosphere “serving table” antique ball claw. Great care should also be taken that the ball is in the middle of the patch of leather or greased rag, before it is rammed down the barrel; if it is more on one side than the other, it will give the ball an inclination, and throw it from the straight line on its leaving the barrel curved padded chair walnut. Both sides of the patch should be greased, in which case there can be no mistake, however hurried you may be in loading designing knock down furniture. A ball should never be forced down too hard, nor yet should it be too easy—I never found them go so true, as when properly fitted most valuable silverware. The ball with its patch should fit airtight, or it will not have the desired effect floral ornaments art nouveau. I do not mean that the ball should fit so tight as to require a wooden mallet to drive it in the nose of the barrel pine draw leaf coffee table 1920. When the 95th Rifle Regiment was raised by Government, which is now called the Rifle Brigade, I supplied them with a few hundreds of wooden mallets to drive in the ball; but they found them very’ inconvenient, and very soon dispensed with thern; in addition to which they became a serious incumbrance to the men, and have for some years past been entirely abandoned markings on antique candelabra.
‘The loading is, indeed, performed equally well without them, as a man’s strength is always found sufficient to make the ball enter, when it fits as it ought to do bread brand marks 18th century.
‘If the ball fits airtight, as it should do, it will require two or three pushes with the yammer before the air can escape (through the vent) to get it in its proper place 1960 period style coffee table designs with lion claw feet.
‘I do not recommend the ball, as I have before mentioned, to be bruised with the yammer, but pushed avant garde dining tables. If the ball has ragged edges, it will be much impeded, as well as thrown from its true direction by the air, more so than when in its globular shape, in the front part of the ball pearlware barley.’
In practice two methods were used to load the Baker rifle in action antique console. The one described above allowed a rate of fire of about two rounds per minute, which was, of course, considerably slower than the smooth-bore musket repair antique dresser drawers. For rapid fire in an emergency, however, the weapon was treated as a smoothbore rococo writing table. For this purpose a pouch filled with musket-pattern made-up cartridges was carried on the soldier’s equipment 19th century garden furniture. The paper was torn off, the powder poured into the barrel, the paper case then used as wadding, and the ball rolled down on top without using a greased patch 18 century display cabinets. This method had the disadvantage that the grooves got clogged up, and had to be cleaned out before the gun could be used as a rifle again drop leaf coffee table which raises to table height.
The greased patches for enclosing the bullet were kept in a recess in the right side of the butt, known as the ‘ patch box’, and closed by a hinged brass lid 17th century dining table. The first bayonet had the usual triangular blade though of eighteen inches in length inlay antique serving trays.But the hilt and fitting were entirely new 17th century dutch small cupboard value. Instead of the socket end, there was a grip with quillons narrow 9 feet dining table. The grip was slotted to fit over a lug at the side of the barrel, and was secured in position by a spring fixed in the slot stylized acorns. This pattern of bayonet was replaced by one having a flat single-edged sword blade twenty-four inches long booths chipendale turreen. The grip was of the same design, but a knuckle guard replaced one of the quillons antique liberary stands. The powder horn issued with the Baker rifle had a cut-off fitted in the nozzle which measured the correct charge of powder to pour into the barrel puce decorated 1756 cups. (The usual pattern of made-up cartridge, filled with the correct rifle charge, was also carried art deco ceramics.)
In about 1807 difficulties in ammunition supply led to the Baker rifle again being altered to musket bore, though the length of the barrel remained unaltered inurl:antcollectors.com . The result must have been disappointing, for the carbine bore was reverted to once more in about 1830 silver flatware wood handle.
Although the rifle was introduced into the Army as a weapon for skirmishers, there were numerous instances during the Napoleonic wars when its value was demonstrated for other military occasions italian antique small inlaid wood 18th century ivory. One such instance which occurred during the siege of Badajoz in 1812 is narrated by Major George Simmons:
`I was with a party of men behind the advanced sap, and had the opportunity of doing some mischief myott son compagnie. Three or four heavy cannon that the enemy were working were doing frightful execution amongst our artillerymen in their advanced batteries french meals 17th century. I selected several good shots, and fired into the embrasures east india company antiques. In half an hour I found the guns did not go off so frequently as before I commenced this practice, and soon after gabions were stuffed into each embrasure, to stop our rifle balls from entering swedish furniture 1930. They then withdrew them to fire, which was my signal for firing steadily at the embrasures bone handled fork converted to knive. The gabions were replaced without firing the shot glass table antique ceramic legs. I was so delighted with the good practice I was making against Johnny that I kept it up from daylight to dark, with forty as prime fellows as ever pulled trigger gateleg drop leaf table 19th century. These guns were literally silenced antique vienna porcelain vases.’
In Deane’s Manual of Fire-,Irms, of 1858, there is an account of the use of rifles to repel cavalry:
`When in 1812 the rear-guard of the Anglo-Portuguese army was pursued and attacked upon the retreat from Burgos to Valladolid by a numerous French cavalry, on which occasion two English cavalry brigades were porcelain wincanton. brought *into some confusion, the two light brigades of the King’s German Legion became also engaged with the French Dragoons dutch delph pottery marks. These battalions had been i000 strong, and one-third of these armed with the rifle antique ebony ivory jewelry boxes. But the judicious principle had been pursued by their commanding officers throughout the operations, to keep the rifled arms as much as possible by the battalions, for which purpose all sick, wounded, and other absentees from the ranks, left their rifles in exchange for a smooth bore musket antique pediment. Upon the retreat in question, the battalions were so much reduced in strength that the mounted officers could not be taken into the squares commodore perry corner cabinet. Almost all the men were thus armed with the rifle; yet did they, nevertheless, repel the frequently reiterated charges of the French cavalry; and his Majesty, the late Xing of Hanover, upon constituting from the debris of those battalions the present Hanoverian Jager Regiment of the Guard, conferred upon them, as a memorial of their brilliant feat of arms in the Peninsula, the permission to wear the name of the place (Venta del Poz6) under the royal arms burslem yellow trellis ceramics. Major Jacobi, of the Hanoverian service, in his critical remarks upon this arm, in 18,29, proved also amply, that even in its then condition, it yielded in nothing, in the hands of those who knew how to use it, to the line musket, with all its boasted celerity of fire burr walnut art deco dresser bakelit.
The accurate shooting of the Riflemen aroused, apparently, an increased interest in musketry throughout the Army myot t, son & cie. Even in the Volunteers emphasis was placed on weapon training and range practice imatation marble antique bedromm suit. This is well illustrated in a letter from Lieutenant-Colonel G arts and crafts hall bench. R black lacquer antique dining chair. Ainslie, half pay, Inspecting Officer of South Lincolnshire, to the ‘Officer Commanding Volunteers of Loveden’ swansea duck egg. Ainslie writes:
`I request that the corps under your command may practice with blank and ball cartridges, with all expedition robj ceramics. The number of the latter being so limited, the volunteers ought first to be taught to fire the former, and it is essentially requisite previous to target practice, that the officers narrowly observe whether any remains of a certain dread of discharging a musket (more or less) experienced by every man unaccustomed to firearms exists matthais lock furniture. I suggest the propriety of firing first individually and then by files, under the immediate, inspection of the officers of each company, who will instruct the volunteers and strongly inculcate the advantage of both levelling very low and keeping the firelock in a horizontal position for some time after drawing the trigger, to do away with the bad effect resulting from the piece hanging fire, and it is a well known fact, that a bullet always rises and will go through a man’s body after having struck the ground puce decorated 1756 cups. According to my opinion the soldier might almost invariably to take aim at the knee of his enemy nineteenth century gate leg table. antique silver baskets. 18 century porcelain placks louis xvi. leon and maurice jallot french dining chair. I repeat that too great attention cannot be paid to porcelintables. furniture by charles ashbee. ceramic alcora antique. levelling low and steadily taking good aim, and keeping his firelock (according to his Royal Highness the Commander-in-chief’s late regulations) such a length of time at the present, after drawing the trigger, that there can be no chance of hanging fire arabic style lambrequins.
` types of table legs 19 century. bugatti furniture range. royall naples factory. A certain proportion of the most active and best marksmen of each company should particularly be pitched upon to oppose troops of the same description of the enemy, and provide themselves with a stout gimblet, which by being run into a tree, gate, post etc chinese porcelain cockerels., etc pottery france incised initials rb contemporary., will afford an instant and ready rest for the firelock and put the volunteer on a par at least, with the Rifle-Man unprovided with assistance of the above kind, independent of the advantage possessed over the rifle by the firelock (viz antique pine drop leaf table rectangular.) of requiring not one third of the time necessary to load the former dutch delph pottery marks.’
That a smooth-bore musket fired over a rest was as accurate as a rifle fired without one is a claim that is not likely to have been supported by any practical results old metal tables with attached leaves. But no doubt the implied suggestion that the man with the musket was as well armed as one with a rifle was very good for morale; particularly in the case of partially trained troops antique card table withe one flap.
The number of firearms which were turned out by British gunmakers during the Napoleonic wars was phenomenal suzanne cowan potter. They amounted to some 31 million muskets and 30,000 Baker rifles federal desk. The muskets were required to arm not only the British forces, but also those of the foreign troops in British pay, and the various allies who joined in the war- against Napoleon from time to time tin glaze pottery makers. Some of these last were all too ephemeral, and many British muskets ended up in the hands of the French suzanne cowan potter. The number of Baker rifles manufactured was very much less, but even so there were enough to equip some Volunteer rifle units, as well as the Regulars tudor gothic furniture.
The complications caused by requirements of different types of ammunition have been mentioned already mid century decor mahogany rectangle divided tray. In the Peninsular campaign the standard musket bullet was the ‘Old English Service’ round ball weighing 141 to the pound, cornmonly referred to as the ‘ounce bullet’ french antique furniture eagle emblem. The powder charge for this bullet was 6 drams antique japanese bedside cabinet. For the heavy cavalry’s carbines and pistols of musket bore this charge was reduced to 51 and 31 drams respectively portuguese pallissy ware. The light cavalry carbines and pistols were of carbine bore, and therefore required a smaller charge marquetry tables.
breech-loading version of the Baker was tried by the Ordnance Board, and eventually issued to some of the Volunteer Rifle units antique extending round dining table. It did not prove sufficiently successful, however, to replace the Baker and was ultimately withdrawn antique cherry drop leaf tables. It was known as the Sartoris rifle, and had a hinged breech on very much the same principle as the carbine made by Durs Egg and described in Chapter VII chippendale modern interpretation. The defect of Egg’s mechanism, however, was remedied by an arrangement which locked breech and barrel together, instead of relying on a surface contact sheffield plate corinthian column candlesticks. A screwed projection on the breech fitted into a screwed termination to the barrel antique inlaid table birds. In both cases, however, the screwed portion was divided into eight equal segments, on four of which the screwed portion was cut away antique empire or regency style mahogany bookcase. On closing the breech, the threaded segments of the projection slid over the smooth segments of the barrel, and the smooth segments, similarly, over the threaded segments of the barrel american empire period furniture. One-eighth turn then engaged the threads of each and locked the breech 17th century cuboards. Both the longitudinal and rotary movements were actually made with the barrel 18th century music stand. This ingenious mechanism was excellent whilst it was clean; unfortunately after firing for a short time the fouling which accumulated was liable to jam the breech antique round oak dining table claw and ball feet.
During the Peninsular campaign the Light Infantry custom of browning the musket barrels was adopted, apparently, by most of the Infantry units of the Army, and the Baker rifles were all browned from the start antique puente pottery. It was presumably found that in the bright hard summer of the Peninsula the glint of the sun on massed musket barrels gave dangerous advertisement of military movements j s henry furniture. In the heavy cavalry, however, browning seems to have been become universal with the issue of new carbines and pistols in 1796 antique bread making furniture. In 1798 a receipt-was sent to all Colonels of heavy cavalry for ‘renewing the brown colour which may be rubbed off from the barrels of the carbines and pistols lately adopted spanish revival walnut console table.

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Hennem was requested to make thirty of his screwless locks for Durs Egg’s breech-loading cavalry carbines austro hungarian empire architecture .: and two months later he was directed to make ninety muskets to the design of the Master-General, of the Ordnance (now the Duke of Richmond) and to fit them with his locks chippendale drum table 2 drawers . On the ist October 1785 Major-General O’Hara, Colonel of the 22nd Foot (now The Cheshire *Regiment), invited Hennem to fit his locks to all the muskets in his regiment john widdicomb furniture/french provincial . O’Hara must presumably have seen and been extremely impressed with the 2oth’s trial muskets, for the alteration was a very expensive one to carry out under regimental arrangements amphora czechoslovakia . It must have looked to Hennem as if the future of his lock was assured, and yet it seems that O’Hara’s was the last important order that he had meubles decoration antique europe .
On the 22nd February 1′786 Hennem offered *to modify the stocks of Sergeant’s, carbines and to replace the existing locks with his own for an inclusive charge of 155 barley sugar twist pillars timber . -for each carbine george iii serving table . This offer was politely rejected with the explanation that a change of the firearms of the Army was under consideration small antique sutherland table . The change was due to a competitive venture by Hennem’s erstwhile backer or co-operator, Henry Nock delftware t.i holland .
Nock was one of the leading gunsmiths in both London and Birmingham ivan chermayeff, furniture . He held Government contracts for the manufacture of muskets and carbines, and produced, in addition, many ingenious and original weapons of various types brass frame girandole images . He designed, for instance, a ‘volley gun’ with seven barrels all fired by one hammer at the same time, and intended for Naval boarding parties; four- and seven-barrel revolving pistols; a heavy piece, or ‘wall-gun’, with a repeating action; and several others how much is a victorian dressing table worth . He was obviously the type of gunmaker to whom Jonathan Hennem’s lock would have appealed silver spoon design europe 18th century .
What the arrangement was between Hennem northern europe in the 16th and 17th century . and Nock is not known early 19th century upholstery fabric . It may be that Hennem was too independent a character for Nock’s liking pier roger vandercruse . In any case he had found an eccentric genius who had invented a lock which was somewhat similar to Hennem’s, though more complicated bulbous leg dining table . This was a mathematician named George Bolton, who at one time had been tutor to the children of George III 18th century silver mote spoon . He had devoted a large part of his spare time to the improvement of gun-locks; and seems to have established a gun shop in London in 1773 with another Bolton (F luxury art deco upholstery fabrics . H jennens & bettridge tole tray .), who was perhaps a brother rococo revival marquetry-inlaid wardrobe .
The Bolton lock also had no screws, and all its components were enclosed between two plates, of which the outer (in the position of the normal lock plate) was fitted with pins to hold the moving parts antique double claw pedestal dining room table . A special feature was the accurate machining to standard dimensions, which permitted the easy replacement of breakages antique inlaid pembroke table .
Nock seems to have acquired the sole rights in this lock, for most, if not all, of those made for the Government bear his name ‘H scheid enamel . Nock’ on the plate tripod table, claw and ball foot, antique . In, probably, 1785 Nock produced a new range of military firearms, comprising musket, pistol and carbine, which he submitted as suggested replacements for the Brown Bess series of flintlocks antiques furniture,josef hoffmann . Initially he seems to have* met with considerable success chinese porcelain wall decoration mask history . Trials carried out with his arms must have been satisfactory, for they led to a cessation of orders to Hennem, and a large number were issued to regiments of Horse and Foot for extensive trial turn top walnut tea/card table . Further, it does not appear that art deco consoles . ultimate approval was doubted, for a very large number of the locks were manufactured, and it is reasonable to suppose that these were intended for the conversion of existing flintlocks antique collectors cabinets . Nevertheless the Nock arms were rejected after only a short trial 1940’s art deco black and gray lacquer bedroom set prices . There must have been some weakness in the lock which led to it comparing unfavourably with the sturdy old Brown Bess under active service conditions apostle tea spoons made in england .
One of Nock’s most notable contributions to the development of firearms was the invention of his ‘Patent Breeching’ renaisance design dining table made .
It was too expensive a refinement ever to have been adopted for military firearms, but it drew attention to the advantages obtained by more rapid and more efficient explosion of the charge german 1930 furniture value .
It had been known for some time that if, instead of the ordinary flat-surfaced breech-plug, a special type known as a `chamber-plug’ was fitted, a more powerful explosion resulted antique double pedestal dining room table . In this form of breech the diameter of the powder chamber was slightly less than the bore of the gun, and the breech end was a rounded hollow cut out of the breech-plug 5″ antique rectangular drop leaf table with drawer . From the centre of this hollow was drilled a narrow channel, called the `ante-chamber’, which received a portion of the powder and which connected at right angles with a vent running outwards to the touch-hole of the gun antique brass mirror convex eagle . The idea was that the flame
from the touch-hole, instead of igniting a corner of the charge, “antique furniture” - writing bureau and display cabinet .9
passed through the ante-chamber and through the centre of the powder, thereby igniting all of it at the same moment 17th century antique trinket boxes . The greater power of the explosion resulted in a higher initial beilby glass prince of wales feathers newcastle . velocity of the bullet; in other words, the full force of the powder was exercised in a shorter distance types of bureaux . It was therefore possible to use a shorter barrel; and the barrels of ‘chambered’ pieces were from six to ten inches shorter than those of firearms with the normal pattern of breech characteristics of english medieval gateleg table .
The disadvantage of the ‘chambered’ gun was that the flame had to travel down the touch-hole vent and thence through the ante-chamber before it reached the main chamber; a considerably longer distance than the usual direct contact between touch-hole and charge cabriole leg demilune table . The flintlock already suffered from the delay between pressure on the trigger and ignition of the charge antique oval drop leaf dining table with turned legs . In ‘chambered’ guns it was much greater, and the sportman had little chance of hitting a fleeting target art-deco-1920-1930-wood .
Nock’s feat was to invent a breech which produced the same power as one fitted with the chamber-plug, and yet with less delay between the fall of the cock and the explosion than was experienced with the ordinary flintlock breech antique rectangle drop leaf table cabinet .
Instead of a hollow the Nock breech-plug had a deep cavity cut in it to receive the charge antique french cabriolet dresser . The rounded end of this cavity was connected by a very short passage to a wide ante-chamber cut through the breech-plug from one side to the other art decos exotic bronze chair . One end of this ante-chamber was closed by a screw, to give access for cleaning, and the other by a gold or platinum plug drilled in the centre with the touch-hole 18th century drum tables . Since in loading some powder fell through into the ante-chamber, and the passage separating it from the main chamber was only about -at inch, the touch-hole was as in close effective contact with the charge as in the conventional breech antique walnut dining table 10 foot . Furthermore, the powder in the ante-chamber was so closely confined that it exploded as soon as the flame from the priming powder reached it, instead of being set on fire first as in the normal piece turn a silver tray into a table .
The vast improvement in the performance of flintlock weapons which was effected by Nock’s invention has been rather overshadowed by Forsyth’s more efficient solution of the same problem with the percussion lock english antique trays .
SWORDS IN THE
EIGHTEENTH CENTURY
Progress towards the standardization of swords throughout the Army was far slower than in the case of firearms jean rene prou furniture . Regulation patterns for musket, carbine and pistol had been introduced in the reign of King James II; but it was not till near the end of the eighteenth century that there was Army uniformity of swords 19th c english tin glazed pottery . Long before that there must have been similarity in the swords carried by regiments of the same arm of the Service because there was bound to be a limit to the number of types which the swordsmiths turned out, and these types would conform in general to popular military demand clock singer music candlesticks . Variations between regiments, therefore, would be chiefly minor modifications of the normal type in accordance with the taste of* the Colonels sofa carved top rail . The officers’ swords would tend to differ much more than those of the men, because being more expensive and privately purchased there would be little difficulty in satisfying even the most exotic requirements chinese porcelain decorators . But two factors would tend to preserve some uniformity: firstly, the Colonel of a regiment would often, probably, insist on his officers being armed alike; and secondly, the fashion of the moment is a very powerful factor, particularly amongst very young men value of primitive antique work bench .
After the end of Queen Anne’s wars on the Continent infantry soldiers still seem to have been armed with the hanger 19th century empire daybed . It appears, however, to have been exceedingly unpopular; probably because the possession of a bayonet would make a sword seem an unnecessary encumbrance meissen cris de paris . Several infantry units seem to have stopped wearing swords altogether, for on the 1st December 1724 an order was issued to the Army which by its wording inferred a widespread irregularity biedermeier candelabra . The order read:
`The King is determined to have all the N what is a double gate leg table .C macassar ebony furniture .O ironstone ware japanese willow .’s and men of His foot forces wear swords antique round dining tables with extensions .’
Nevertheless Authority was fighting a losing battle gothic arch furniture . Once the fighting troops have decided that a particular piece of equipment serves no useful purpose there is little chance of its being carried on active service weimar germany china antique . By the middle of the century many regiments had far less than their proper complement of swords, and some had none at all makers of antique table clock with music in china .
At some period Grenadier companies were given basket-hilted swords, instead of the usual brass-hilted hangers wardrobes 19th century . The Grenadiers of the 4th Foot (later The King’s Own Royal Regiment) had them in 1727, those of the 40th Foot were wearing them in about 1750, and a water-colour by Sandby shows the Grenadiers of the Coldstream wearing straight steel basket-hilted swords in 1747•
There does not seem to have been any material change during the- first half of the eighteenth century in the type of swords carried by infantry officers refectory table . In 1746 those of the 4th Foot had a steel hilt, and the scabbard was leather with steel mounts antique deco tub chair .
A typical cavalry sword of 1750, carried by both Horse and Dragoons, had a straight single-edged blade and a full basket-hilt 20th century furniture development in france . The pattern of basket-hilt varied from regiment to regiment, and those of the King’s Own Regiment of Dragoons, for instance, were of brass french animal chairs . The 3rd and 4th Irish Horse, instead of a straight blade, had one which was curved and slightly shorter than the normal kommode roentgen . The length of the blade was 31-1 inches and the breadth 1j inches gilt metal mounted pier table .
There is a Dragoon sword of about 1742 which is of interest as probably being of a fairly typical general pattern, and yet with distinctive regimental characteristics octagon mahogany antique table value . The blade is straight with a single edge and a length of thirty-six inches john walton antiques . The hilt is iron, but only half basket, and with a fishskincovered hilt bound with twisted brass wire how much would an antique clawfoot dresser cost . From the hilt hangs a buff leather sword knot with runner and tassel value of silver candelabra . The scabbard is of black leather, carried in a frog suspended from a shoulder belt 1980 scandinavian leather chair recliner barcelona .
In 1735 the drummers of the 8th Dragoons were distinguished by carrying scimitar swords; and in 1754 special swords were used to denote rank in the Royal Dragoons: brass-hilted swords being issued to serjeants and corporals 16th cent. sideboard .
When in 1755 a Light Troop was added to each regiment of Dragoon Guards and Dragoons on the British establishment, the Royal Warrant laid down that the men were to have `a short cutting sword 34 ins picture of pennsylvania house antique cherry buffet claw feet . long in the blade with a light hilt without basket’ penwork italian . This regulation was typical of the time in that it gave a very general specification and ample scope to Colonels of regiments to choose what they wished antique mahogony carved dressing table . The blade could apparently be either straight or curved and the hilt of any pattern so long as it was light and without a basket antique draw leaf tables . Captain Hinde, in his The Discipline of the Light Horse, deals with both the Light Troops and the subsequent regiments of Light Dragoons, the first of which was raised in 1759 confidante sofas . It is unlikely that there was very much change in the Light Dragoon sword between the time the Light Troops were raised and the formation of the Light Dragoon regiments; but at the time Hinde wrote the sword blade had been lengthened to thirty-seven inches old silver lustre myott . Hinde’s description of the swords carried by officers and men is given in Chapter V, and it will be- noted that the pattern of sword was still left to the choice of the commanding marquetry inlaid trays . officer seated harlequin with a tankard, johann kandler . An illustration in Hinde’s book shows a trooper of a regiment of Light Dragoons armed with a straight-bladed double-edged sword, with no hilt protection other than counter curved quillons indian antique tea kettles . In addition to the mounted pattern, officers apparently had a special sword for parades on foot verlys france . Of these Hinde says: ‘The Officers Parade Swords for Foot Duty, are about 28 Inches Long in the Blade, and worn in a Belt round the Waist’ antique side chair desk . Even the length of swords, however, does not always seem to have complied with regulations french 18th century bureau cabinet . Of his own regiment, the Royal Foresters, Hinde says: `Their Swords were remarkably Long, and quite straight’ makers of 1940’s american art deco furniture .
Farriers did not carry swords antique fold over table . According to Hinde: ‘They carry an Ax at their Left Side in a Belt of the same Colour of the Mens over the Right Shoulder, and a White Apron rolled back on their Left Side jupe patent extending dining table . When the Men draw their Swords, the Farriers take their Axes from, their Sides, and place the Handle on their Right Thighs Advanced, with the Edge turned towards their Horses Heads; they might carry a Saw on their Right Sides, in a Belt over the Left Shoulder, and a Spade in a flat Bucket under the Right deco tub chair . Budget, like the Carbines coming under the Right Arm art deco antiques contemporary world paris .’
Captain Hinde’s remarks on weapons may be fittingly concluded with his method of preventing arms from rusting antique american empire card table with scroll feet . This is as follows:
` antique furniture empire chest of drawers .d Receipt to keep Zrms from Rust nouveau art draws .
‘One Ounce of Campshire to Two Pounds of Hogs-Lard, Dissolve them together and take off the Scum; Mix as much Black-Lead as will bring them to an Iron Colour: Rub your Arms over with this, and let it lie on Twenty-four Hours, then Clean them as well as possible with a Linen Cloth, and they will keep without the least Rust for Six Months fold over tea table .’
The Royal Warrant of 1768, which dealt in detail with the clothing and equipment of the Army, made some attempt to secure reasonable uniformity in swords value staffordshire engine turned redware teapots 18th century . It laid down that the swords of each regiment were to be uniform and proscribed patterns and colours for sword-knots, belts, etc 19th century antique hall table ., and gold or silver coloured metal for hilt and scabbard appointments, according to the colour of the buttons old fashioned table brass metal claw feet on casters .
As regards the rank and file of the infantry the Warrant recognized what was practically a fait accompli empire card table . It said:
‘SWORDS antique card table withe one flap .
`All the Serjeants of the Regiment, and the whole Grenadier Company, to have swords spanish table antique turned legs . The Corporals and Private Men of the Battalion Companies (excepting the Regiment of Royal Highlanders) to have no Swords 16th century english joyned table .’
The Royal Highlanders (42nd Foot, or Black Watch) were presumably excepted because, like the Grenadiers, they wore the broadsword with basket hilt chippendale pinecone . The privilege was not appreciated, however, and the 42nd got into hot water for discarding their swords on the pretext that bayonets had proved far more useful in the American War 18th century antique gate leg table . However, the 42nd’s opinion of infantry swords seems to have received support from senior officers with war experience, for in 1783 they were given permission to return their swords to store french cabriole leg tracing pattern . The following year a Board of General Officers, which had been established to examine the soldier’s equipment in the light of the war in America, reported that Grenadiers had never worn their swords in action and recommended their abolition 19 century mahogany gateleg table . As a result swords were abolished throughout the infantry for all rank and file except drummers antique pottey work table . For these latter, the Royal Warrant of 1768 had specified ‘a short sword with a scimitar blade’; which was, in point of fact, a hanger vintage cherry table with queen ann legs .
Somewhat paradoxically the sword was about to become the principal weapon of the infantry officer at about the same time as it was being withdrawn from the remaining rank and file maurice dufrene, design .
The changes in officers’ shaft weapons is somewhat complicated 18th century occasional table . At the beginning of the eighteenth century captains and lieutenants of infantry had pikes and ensigns find 1954 crystal green tinted wine glasses . half-pikes telescopic table pedestal . In 1710, or thereabouts, captains reverted to the spontoon yuan muhammadan blue . At possibly the same time the lieutenant’s weapon was changed to a half-pike antique hanging corner display cabinet . In 1743 all officers of foot were directed to carry spontoons s s meissen mark . The spontoon was then the infantry officer’s principal weapon; but not, it seems, a very popular one gabriel viardot . That some difficulty was experienced in making officers carry it is shown by the following extract from an order book of the Brigade of Guards stationed in Germany in 1761-2:
`28th April rectangular table dressing . Colonel Thomas having remarked that the use of the espontoon is grown into a kind of disuse amongst the Officers of late, the naked sword or firelock being substituted in its room (a liberty which never used or ought to be allowed but upon emergencies), desires it may be resumed on all occasions in the Coldstream Battalion when it used to be!
The carrying of a ‘firelock’ was an adoption of the practice in Grenadier companies where all officers carried a light flintlock, generally a privately purchased weapon staffordshire figure prince “zebra” .
The American war finally dealt the death blow to the officer’s spontoon antique vargueno . Of the 63rd Foot in 1784, for instance, the Inspecting General commented: ‘Just arrived from America, where the officers never made use of espontoons; saluted with swords’ antique buffet sideboard signed by cabinet maker . Two years later the carrying of spontoons by infantry officers was abolished century pembroke .
Serjeants carried halberds for practically the whole of the eighteenth century, but in 1792 they were directed to carry pikes instead scandinavian aesthetic . This order did not in the first instance 1940’s mahogany dining chairs .apply to serjeants of Grenadier and Fusilier companies who, like the officers, carried flintlocks, but later in the same year they too were ordered to carry pikes meissen porcelain bronze . Serjeants of Light companies, who also carried flintlocks, were permitted to continue to do so english ironstone pottery ltd .

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Ferguson, in the meantime,, had been promoted Major and brevet Lieutenant-Colonel, and put in command of the ‘American Volunteers’, a corps of loyalists from New York and New Jersey and armed with the Ferguson rifle antique slovakia ceramics vase . The unit sailed with the expedition commanded by Sir Henry Clinton and Was present at the siege and capture of Charleston antique pembroke tble . Ferguson was then made a Brigadier-General of the Loyal Carolina Militia, and with his own corps of about ioo men as a nucleus marched into the interior, collecting loyalist recruits on the way square brass dial . On the 7th October 178o, his camp at King’s Mountain, close to the border of North Carolina, was surprised by a large force of mountaineers under the command of General Shelby value of hand painted wales china tea set . The training of Ferguson’s men did not match their enthusiasm, and after a gallant defence the majority of them were either killed or captured john widdicomb china cabinets . Ferguson himself was amongst the former 17th century imported oriental cabinet .
With the death of its inventor, the destruction of his rifle units and the capture of their armament, the Ferguson rifle disappeared from the Army antique paper mache card table . Beautifully made models for sportsmen were, however, made for many years afterwards photos of victorian sofa with zebra pattern fabric .
There is an interesting contemporary account of the manufacture of Ferguson rifles table lamps . A Mr berkey & gay american empire furniture . William Clincher records in his diary of 1776 that he visited Birmingham and waited upon Mr edmund etling glass bird . Baskerville who showed him his gun factory belgian gothic revival cabinet . He described this as follows:
‘ The Gun manufactory is pretty; the forging, scraping, and boreing, pleas’d me much;—The Rifle Guns are handsome pretty pieces, 800 are nearly finish’d on government account, at three pounds three shillings each; A Gentleman, with one of them at a distance of i So yards, shot a Ball six times out of eight within the circumference of the crown of my hat: at 400 yards he shot within half a yard of the mark antique brass table with animal legs .
EIGHTEENTH-CENTURY GUNMAKERS
The number of gunmakers in Great Britain during the eighteenth century was very considerable antique drop leaf table with leaf built in . Those of them who made military arms could be roughly divided into selmersheim .
(a) Makers under contract to the Government to supply either complete weapons or component parts arabesque vertical plate racks .
(b) Establishments which made firearms of Government pattern which were subsequently purchased for the Army middle east antique collectors .
(c) Makers of firearms designed for military use, but not of a Government pattern art deco dining table . These were primarily intended for purchase by officers, and might be of the particular gunsmith’s own design, or one in common private use chippendale knife boxes octagon .
Some of them engaged in two, or even all three, of these activities; and, in addition, made sporting arms as well regency ironstone marks blue . To name all the gunsmiths making military arms would entail the compilation of a fairly lengthy catalogue expensive antique furniture chests . It will suffice to give a few typical examples antique gaming table claw feet .
I louis xvi revival sideboard with porcelain inlays . Clarkson, who flourished as a gunsmith from m 1680 to 1730, made flintlock muskets and holster pistols for the Army under Government contract antique early american drop-leaf butterfly table . In addition, he made the box-lock type of pistol which was introduced in the reign of Queen Anne wooton chest . The lock of this pistol, instead of being mounted on one side plate with a counter-plate on the other side of the weapon to support it, had a plate on top- joined to one on each side to form a metal box lacquered furniture . The cock, flash-pan and steel were mounted on the top plate telescopic table pedestal . The barrel was the cannon-shaped screw-on type, with breech-loading gateleg table with drawers and drop leaf . This box-lock was to be popular for over loo years painted silver trays . In later years Clarkson made some breech-loading holster pistols, the mechanism of which was of the screw-plug arrangement from which the Ferguson breech was derived “table george iv” .
John Hawkins conducted a business in London from 168o to 1714, which was carried on by his son to 176o, and his grandson to 1776 epergne antique for sale . His particular speciality was a flintlock holster pistol which had a brass barrel with a bell muzzle robinson and leadbeater figure . ‘It is of interest that George Washington had a pair of these pistols which were made by the second Hawkins 18th century walnut-veneered and oak chest of seven drawers .
Another founder of two further generations of gunsmiths was James Freeman of London, the business lasting from 1705 to 1782 art deco english suburban house . Freeman also made box-lock pistols, and, in addition, muskets and holster pistols under Government contract luxury antique items .
In Scotland for most of the eighteenth century there were a number of gunsmiths of the name of Murdoch engaged in making all-metal flintlock pistols wallendorf candelabras . Two of them, father and son and both christened James, had a shop in Inverness barker brothers coffee table for sale . Some of those made by the father had the lobe-shaped butt, and he differed from his son in chasing the whole of the barrel century hepplewhite walnut card table . The pistols made by the younger James have only the muzzle chased 18 century wooden novelty pipes .
Thomas Murdoch worked at Leith, and made pistols with both lobe and ram’s-horn butts wrought iron church candle sticks . In the museum of the Royal United Service Institution are two pistols with rain’s-horn butts which have ‘To: Murdoch’ engraved on the lock plate german 1940s furniture styles . They were picked up on the battlefield of Culloden british designers dining table . They are a beautiful pair and must have been the pride of some gallant Jacobite of the ‘Forty-five sutherland drop leaf table . One wonders what happened to their owner, and if the pistols were found where he had hurled them empty at the stolid English infantry shagreen knife box .
John Murdoch had a shop at Doune french neoclassical tables . His pistols have ram’s-horn butts, acorn triggers, and are sometimes ornamented with gilt brass stock and butt 4 foot wide walnut drop leaf table . Major John Pitcairn, who commanded the British advanced guard at Lexington on the 19th April 1775, had a pair of these pistols kotahya pottery . It is supposed that with one of them Pitcairn fired the first shot of the American War of Independence mason patent ironstone china . In the struggle which followed he lost his pistols, which were subsequently picked up and given to General Rufus Putnam british antique wardrobes . Putnam carried them for the remainder of the war, and they are now at the Lexington museum nesting tea tables .
One other Murdoch made pistols in Edinburgh with the lobe-shaped butt fall-front chest of drawers .
Joseph Farmer of London was in business from 1718 to 176,2 how to repair veneer table on couch . He had a Government contract to make standard flintlock muskets and also short flintlock muskets fitted with grenade cups for the Grenadiers bureau de coene art deco . One of these latter is in the Museum of the Royal United Service Institution 19th century glass fronted cabinet . The inscription ‘Farmer 1744′ is placed vertically on the lock plate behind the cock adjustable silver candlesticks . This method of discharging a grenade was revived in the First World War, and survived to become a
standard Army weapon wardrobe of a 17th century lady . Farmer also made a double-barrelled I version of the box-lock pistol antique chamber cabinets .
Bidet, who emigrated from France, practised as a gunsmith in London from 17-21 to- 1731 antiques with plain legs . He did not make military weapons, but a sporting rifle he produced had a breech mechanism which is an obvious forerunner of Ferguson’s idea inlaid marble table lapis lazuli antique . The trigger guard was a lever turning a screw plug; but in this case the plug came right out and had a single thread harlequin painted bar . The action was therefore much slower than Ferguson’s, and the return of the plug to its seating might well be difficult in the heat of battle “perspectiva cabinet” . I trestle tables refectory . Johnson made a similar sporting rifle about 1750-B pictures of 5 drawer antique library desks and tables . Griffin had a shop in Bond Street from 1739 to 1773-Apart from the superlative quality of his arms, his chief claim to fame is probably a breech-loading carbine which will be described later 18th century mahogany wine cooler with brass feet . He also made fine holster pistols with silver mountings antique 1960’s table cigarette dispenser . Under the later name of Griffin and Tow their manufacture was continued till 1796 2009 chinese porcelain antique . The small `IG’ on a Griffin forged barrel was a hallmark of excellence countries where art deco was very popular .
William Ketland was one of the most famous of gunsmiths antique inlaid pembroke table . He started making guns in Birmingham in 174o, and was primarily responsible for establishing the town’s reputation for the manufacture of firearms 18th century writing table cabriole ball claw feet . Ketland was one of the greatest makers of Brown Bess muskets, and other ‘Brown Bess’ arms, for the Government furniture . In 176o a shop was opened antique chinese display stand dealers . in London r dubarry art deco . After William Ketland’s death one of his grandsons carried on the business as Ketland & Co angouleme guerhard . until his own -death in 1804, His brother-in-law, Thomas Izon, continued under the same name until in 1831 financial difficulties led to the firm closing american tripod tables . Old William Ketland is still commemorated, however, in the Birmingham Proof Mark imperial drop leaf antique table . In 1813 the Gunmakers’ Company of London tried to get a Bill through Parliament to compel every gunsmith to mark his firearms with the place of manufacture italian buffet furniture . The reason for this was that firearms marked `1,n don’ coiamat,ded a higher price than those made elsewhere night chamber pot . Some Birmingham makers had accordingly succumbed to temptation and put ‘London’ on their own arms pictures of yellow antiqued cabinets . The public implication that Birmingham arms were inferior to those of London make, however, annoyed the better Birmingham gunsmiths, and they formed a Guild to protect the standard of the products of their own town art deco french inspired dresser . This new Guild was called ‘The Guardians of the Birmingham Proof House’ antique campaign chair with lion paws . The proof house mentioned in the title was set up at the same ‘ time lion feet table . Ketland & Co turn tripod into table . had taken a prominent part in this movement and the proof mark adopted was an adaptation of the arraourer’s mark of two crossed sceptres, used by old William Ketland antique stores brass ashtrays made in china . The Birmingham viewer’s mark, stamped on the barrel after testing in the rough, consisted of the crossed sceptres between a crown above and a V below antique mushroom shaped table lamps . The proof mark for the finished barrel again had the crossed sceptres and crown, but in place of the V in the bottom angle, there were the letters B, P and C: the B and C being in the flanking angles and the P in the base andre hunebelle glass .
The two generations of John Richards, who covered the years 1745 to 1810; had shops in both London (in the Strand) and Birmingham for sale louis 16th walnut sideboard cabinet . They made an odd weapon, not uncommon at this period,•which was a bell muzzle flintlock pistol with a small bayonet under the stock which sprang into position on odiot tureen . releasing a spring antique clerks desk . Owing to the number of times a flintlock missed fire it probably had an appeal as providing an emergency weapon for close combat “english ironstone”+england”+marks .
One of the most famous of London gunmakers had the peculiar name of Durs Egg antique bentwood chaise . Business was carried on under that name from 1770 to x834 “alexander roux” pietra . It was then changed to D antique mahogany chippendale dining table . I meissen cris de paris . Egg (probably by a son or nephew) and lasted as such till 1865 antique oak drop leaf end table . Egg had a shop for the sale of private arms at No antique spring loaded drawer arm . x Pall Mall mid eastern style shell drawer . He had a Government contract for muskets and carbines, and made a large number of the Ferguson rifles queen anne gate leg table 18th century . In addition, he made a smooth-bore flintlock breech-loading carbine of his own design antique empire mahogany curved buffet with mirror . This was actually adopted by the Government and issued in large numbers to the cavalry towards the end of the century sheraton occasional table . It had a hinged chamber which was tipped up to receive the charge duncan phyfe buffet with legs . It had the advantage that since the chamber was loaded from its front end it could be loaded with the same cartridge as was issued for muzzleloaders antique oak and fabric dressing screen with fretwork . After loading, the chamber was lowered again and locked in position by giving a quarter turn to a steel bar which pivoted on the top of the chamber and engaged in two slots mid century antiques and porcelain tea sets .
This Egg carbine was capable of a fairly rapid rate of fire walnut veneer wardrobes art deco . To load it entailed only the simple operations, which could be performed on horseback, of tearing the cartridge, priming the pan, opening the breech, inserting the cartridge in the chamber, and finally closing the breech antique oak tables with leaves . Good as it was, however, the breech mechanism did not provide a gas-tight joint and there was thus a considerable escape of flame french clothes designers during 17th century . The reason for this was that there was only surface contact between the faces of chamber and barrel fauteuil bureau .
That such a carbine was required for cavalry use is shown by a passage from Captain Hinde’s The Discipline of the Light Horse antique wood inlayed wine cellaret . Hinde says:
`As light troops are more intended to act loose than in bodies, their principal practice should be to acquire personal address, viz escritoire antique . to manage the horse well, to use the sword with dexterity, and fire the carbine with great justness steele art deco chair wood arm rests . The proposal of Monsieur de Saxe, for loading at the breach of the carbine, seems well calculated for the fire arms of cavalry, if it will not make them too complicated (the author once saw a carbine belonging to a brother officer, made according to this proposal of Monsieur de Saxe; to be loaded, it was held firmly in the left hand, as when it was presented to be fired, and about the same place; then with the right hand the guard over the trigger was pulled back, on which the but of the carbine dropped down, hanging by a pin, and discovered the breach of it quite open; in a cartridge box he carried nine iron tubes loaded, one of which he thrust into the barrel, and directly with his right hand pushed up the butt, which made a click, and securely shut up the breach british longcase makers . On striking the lock with his hand the piece primed it self, and he fired without missing fire at any time art deco dinner service . He loaded his iron tube or cartridges without any rammer, with his finger shoving down powder, ball, and paper india old antique dining table . I think he told me Mr Griffin, gunsmith, in Old Bond-street, was the maker of it, and the officer had himself invented it, as he was a very mechanical ingenious gentleman, and an horse officer) the ramrod is apt to be lost, and at any rate is very difficult to manage on horseback, whereas a chamber with a fresh charge, could easily be introduced; but of this, the period preceding art deco .Mr Barbor, or any other gunsmith, can give the best account “art moderne” furniture . The objection of expense should not be admitted, for economy in the price of arms is, at best, very injudicious “bristol porcelain” for sale 18th century .’
The ‘Barbor’ mentioned by Hinde is probably I antique sideboard cabriole legs . Barbar who had a shop in London, from 1740 to 1780, in Shoe Lane antique ivory sofa table . The firm, however, seems to have been in existence since the beginning of the century, and to have been one of the foremost in fine decorative work marble table inlaid antique .
T tudor rose design waterfall furniture . Twigg was another well-known London gunsmith of 176o to 1780 designs for dressing table glasses . The firm was carried on from 1780 to 1783 as Twigg & Bass; and then reverted to Twigg only again from 1783 to 1813 antique mahogany card table, imperial . Twigg made Government flintlock holster pistols, and also flintlock holster pistols for officers which were of very fine workmanship art deco examples . His most noteworthy contribution to gunmaking was a number of different designs of multi-shot flintlock pistols chess table spiral legs . One of these was a seven-barrel pepperbox type of weapon, the barrels of which were rotated by hand after each shot joan klock, amsterdam, clockmaker . Some of his pistols had the under spring bayonet, which was released by sliding back the trigger guard jupe dining table’ . Twigg had a foreman named John Manton, who founded his own business at about the time Bass was introduced into the partnership antique enamelled glass . Manton, too, became a famous gunsmith, but he belongs more to the; nineteenth century and will be dealt with more fully in a later clawfoot antique lowboy . chapter 19th mahogany clerks desk .
John F satinwood commode john cobb . Probin of the Minories in London, 1780 to 1831, made flintlock holster pistols and carbines under Government contract meissen porcelain louis xiv . He also made pistols for officers, and there is, in the museum of the Royal United Service Institution, a pair made by him for General Sir Thomas Picton and carried by him in 18 r 5 antique walnut gateleg table . They have J neoclassical dressing table . Probin’ on the lock plate, and along the top of the barrel ‘Probin Maker to His R H the Prince of Wales’ delicate leg drop leaf table .
One of the troubles experienced with eighteenth-century flintlock weapons was failure of various parts of the mechanism due mainly to rusting glass supper table . Military locks were strongly made to withstand the rough usage which they inevitably experienced, but they could not be made waterproof antique porceline candle sticks . As a result regiments frequently suffered a serious loss of fire-power through draw leaf table northern furniture company . the number of muskets which were out of action owing to mechanical faults neo-rococo rockingham lamps . Rusting particularly affected the small moving parts of the lock, and the screws which held the various components together designs of arcs and pillars . The most serious breakages were the screws, for the rusted pieces were often so firmly imbedded that it was beyond the powers of the regimental armourer to remove them coalbrookdale neptune dish . The trouble caused considerable concern and gunsmiths were encouraged by the Government to offer suggestions 1800’s furniture makers .
The first to give a practical response was Jonathan Hennem, who submitted a design for a screwless flintlock musket to the Board of Ordnance on the 2nd May 1781 18th century card table . The Board appear to have been favourably impressed, for they directed `that two Musqueis be delivered to John Hennet [sic> for him to alter according to his proposal’ english baroque pottery . Arrangements were made for Hennem to carry out experiments near Woolwich, and he was engaged on these for the next two years antique meets modern furniture . Trials were apparently concluded successfully by the 18th October 1783; for on that date the Master-General of the Ordnance issued instructions to the Board ‘That zoo locks be provided by Mr imperial gateleg table . Hennem of his own Construction and that an Imprest of C70 may be granted to him towards Compleating the Order, the said Locks being found of great Utility in his Majesty’s Service’ swiss walnut art deco motif .
A short time later a celebrated London gunmaker, Henry Nock, made an apparently surprising intervention clear glass trinket boxes or powder boxes . On the 8th November 1783, he presented a bill for twenty’Musquet locks of Hannim’s Construction’, for which he charged 9s utensils used in britain for cooking . 6d paris style art deco desk . each sheraton +antique +gaming table . In view of the 18th century austrian porcelain . fact that Nock himself, as will appear later, was engaged in somewhat similar experiments he may well have taken Hennem under his financial wing leather revolutionary war writing box .
Finally Hennem sent in 400 locks, or four times the original order, and was consequently able to lower the price kedleston hall birds . Of these 400, 201 were coloured black and 199 were polished, presumably for comparative trials cedar chest genoa 16thc .
The 2oth Foot (now The Lancashire Fusiliers) was chosen to carry out trials with the Hennem locks 1900 era drop leaf gate leg table . The regiment was about to embark for Ireland on active service and it was already short of muskets; though if these were the reasons for issuing it with new and untried weapons, the former particularly seems to have been a pretty weak one art deco stemware . Anyhow, they received 308 of them, and in July 1784 Hennem was given permission by the Commanding Officer to instruct the men in the use of the locks the development of art deco . Hennem duly arrived at Plymouth only to find that the regiment had left for Ireland ming porcelains . He then obtained permission to follow it, with the proviso that his stay in Cork must not exceed three weeks fiddle shape flatware . This limitation proved, however, impracticable, for the 2oth was split up over southern Ireland in widely scattered detachments, and the roads and unsettled conditions of the time made travel slow and hazardous glass/wood art deco designs .
There was little in the appearance of Hennem’s lock to differentiate it from the ordinary flintlock bugatti furniture range . There were no screws, of course, and the mechanism was secured by pins riveted to the lock plate islamic influence 18th century . By means of a tool which Hennem called a ’spring lifter’, the lock could be completely dismantled in a few seconds antique trends .

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The screw barrel has already been mentioned in connection with a pistol which first became popular in the reign of Charles 1. A rifled version of this `turn-of}’ pistol was produced in the Civil War to meet the demand for an accurate and hard-hitting short-range weapon. The barrel unscrewed at the breech, and the charge and ball were put into the chamber. The pistol took a very heavy charge, and the chamber .was about the same size as that of the modern bolt-action rifle. The walls of the barrel were specially thickened to withstand the force of the discharge. It has been suggested that these pistols were designed to penetrate the heavy armour which still appeared in the form of helmets and back and breast plates. An account which is given later in this chapter would seem to support this view.
These rifled ‘turn-off’ pistols were full-length cavalry holster weapons. In the cavalry tactics of the period, the discharge of pistols at the enemy formed the preliminary to the normal shock action. That little is heard of rifled pistols after the Restoration may be due to the alteration in cavalry tactics. Marlborough, for instance, would not allow his cavalry to use pistols in a set-piece action at all.
The demand for privately manufactured arms led to the names of some of the gunmakers of the period becoming famous for the standards of design, workmanship and precision of their firearms. William Upton of Oxford, for instance, was perhaps the best known of the suppliers of arms to the Royalist army. The Royalist headquarters was in Oxford throughout most of the war so that Upton was well placed to meet the requirements of the King’s officers. He made pistols and carbines, both rifled and smooth bore, and his arms were known for their quality.
Another famous maker of firearms was Harman Barne of London. He was gunmaker to Prince Rupert and made one of the earliest known breech-loading magazine rifles. Six shots could be fired in succession from this remarkable weapon, and one movement of a lever which formed the trigger guard successively loaded with powder and ball, primed the pan, closed the pan cover and cocked the lock.
Although Barne’s rifle was far too expensive and complicated in manufacture for adoption as a millt4ry firearm, it is worth describing, since it was the first conception in England of present-day requirements in a hand-operated rifle. It was nearly 25o years, however, before Barne’s ideas were incorporated in the personal firearms of the British Army..
In appearance the rifle was similar to a finely made flintlock piece of the period, save for some additional bulk round the lock. There are no obvious mechanical complications. Its mechanism is best explained by the method of loading, which is as follows:
(a) The rifle is held in the left hand, vertically with the muzzle upwards and the barrel towards the body.
(b) With the right hand the trigger guard is turned to the right and upwards.
(c) The movement of the trigger guard turns a cylindrical breech block. This passes vertically through the barrel, and is drilled through with a hole which is in line with the bore of the barrel when it is in the closed position.
(d) The trigger guard also moves a powder measure, from its normal position below and in front of the trigger. This measure normally communicates with a powder magazine which is in a hollow in the stock below the lock, and is thus filled with powder when the rifle is held vertically. As the measure moves a spring flap closes its aperture, and a similar flap closes the opening of the powder. magazine. When the trigger guard has turned through i 8o degrees the flap on the measure strikes the front of the lock plate, opens and allows the powder to pour down a channel which runs inside the plate to an aperture on the right of the barrel. The movement of the breech block has brought its central hole into the line with this aperture, and the powder runs into it.
(e) Meanwhile the other end of the breech-block hole ,has received a bullet from the bullet magazine. This is a tube containing six bullets communicating with an aperture in the left side of the barrel. Through this a bullet is fed into the breech block before the powder is introduced.
(f) The trigger guard is now reversed to its normal position. This movement actuates links on the inside of the lock plate which move the tumbler of the lock to full cock, and close the pan cover. At the same *time a small portion of powder for. priming is dropped into the pan.
The rifle is now ready for firing; the very complicated process of loading, cocking and priming a flintlock weapon having been performed by a to-and-fro movement of the hand, in the same way as with a modern bolt-action rifle.
J. N. George, in his English Guns and Rifles, is of the opinion that this rifle was made for .Prince Rupert himself; and he considers that support is given to this supposition by the stamped impression on the butt, of a capital ‘R’ and the figure ‘3; which might well be the Prince’s initial and the serial number of the weapon in his private armoury. Since Barne was a London gunsmith (the gun is inscribed ‘Harman Barne, Londini), George points out that if he made this piece for the Prince it must have been Wore the start of the Civil War, since London was, throughout, in the possession of the forces of Parliament.
Edmund Nicholson of London provided the same type of arms for the forces of Parliament as Upton did for the Royalists. He too was known as a maker of fine arms, and he was still making guns after the Restoration.

By about the middle of the seventeenth century the calibre of the various types of firearms had become more or less fixed, and there was little change during the whole of the time that muzzle-loading arms remained in use. These dimensions -were: x2-bore for a musket, with i42 bullets to the pound; 16-bore for a carbine, with 20 to a pound bullets; and 20-24 bore for a pistol, with 34 bullets to the pound. Muskets and carbines were fitted with fore and back sights until the reign of James II, but pistols had no sights.
The pike remained the standard shock weapon of the infantry
FIG. 47. RAPIR HILTS.
Prow the Tower Zrmotwy, London.
and was the complement of the musket, until the adoption of the bayonet. In 1645 its length was 15 feet, but this appears to have been increased to x 8 feet a short time later. The best steel was used for the heads, and the staves were of well-seasoned ash. From the head downwards they were protected for 3 or 4 inches with iron plates to prevent the heads being cut off by the swords of the cavalry. It was behind the protection of these long pikes that the musketeer retired when he had to go through the lengthy process of reloading his weapon.
There was no standard sword for either cavalry or infantry during this period; but for most of it the most popular weapon was the rapier, which had been introduced from the Con-tinent in the sixteenth’ century. It was a long, very light sword, generally with a rup protection below the quillons, or cross-piece, and often with a knuckle guard as well. The use of the rapier was so universal that even pikemen were equipped with it, though it was far too long for effective use in battle by a man who was already encumbered with a heavy pike.
A vivid description of the use of the various weapons of the Civil War is contained in a contemporary account by Richard Atkyns, a junior Royalist officer of Horse. He says:
`When we came within 20 score yards of the enemy, we found about Zoo dragoons half musket shot before a regiment of horse of theirs in two divisions, both in order to receive us. At this punctilio of time, from as clear a sunshine day as could be seen,, there fell a sudden mist, that we could not see ten yards off, but we still marched on; the dragoons amazed with the mist, and hearing our horse come on; gave us a volley of shot out of distance, and disordered not one man of us, and before we came up to them, they took horse and away they ran.
`I waited upon Prince Maurice, and presented him with a case of pistols, which my uncle Sandys brought newly out of France; the neatest that I ever saw, which he then wanted.
`When I came to the top of the hill, I saw Sir Bevill Grinvill’s stand of pikes, which certainly preserved our army from a total rout, with the loss of his most precious life: they stood as upon the eaves of a house for steepness; but as unmovable as a rock; on which side of this stand of pikes our horse were, I could not discover; for the air was so darkened by the smoke of the powder, that for a quarter of an hour together (I dare say) there was no light seen, but what the fire of the volleys of shot gave.

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