Shooting the War

ARMS AND ARMOUR
Guns and Pistols
Old firearms arc popular collector’s items, and no olde oake beame type of pub or cafe worth its salt feels fully decorated without weapons on its walls, so good ones are expensive; nevertheless one sometimes comes across old guns and pistols in junk shops and these can be in pretty bad condition. It is usually possible to mend and clean these things and make them look very decorative; by spending money they can be restored to near perfection, and you can even fire them if you dare. For really careful restoration, try to find a picture of a gun like yours or a similar actual weapon in a museum, which you can copy.
As a first step make sure that any gun you buy is not loaded. It is not ridiculous to suggest that an old pistol which has been knocking about for years could be loaded, for it has happened, and even ancient gunpowder will explode violently. Gently insert a wooden rod or dowel into the muzzle and when it will go no further make a pencil mark. Withdraw the rod and lay it alongside the barrel with the pencil mark by the muzzle and the point at which the barrel is blocked can be exactly gauged. The powder must be carefully removed. If you have a shotgun
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the cleaning rod wch goes with will it wiprobably have a cap on the end which unscrews to reveal a screw tip. Screw this gently into the charge in the old gun and remove it like a cork. Failing a cleaning rod, an ordinary screw welded to a piece of stiff wire would do just as well. After this the barrel should be washed out with warm water and thoroughly dried.
Unless the gun is really terribly rusted, or contrariwise is in excellent condition, it is probably best to strip it down into its component parts, just as one would when cleaning a modern gun. Normally the lock is removed first by unscrewing it from the stock. First remove the screw which holds the cock (in the flintlock) or hammer (in the percussion lock) and slide off the part. Next unscrew the pivot of the pan cover and the pan cover spring screw and remove tile parts. ‘then unscrew the holding bolts or screws until the lock plates can be removed. (See Fig. i.)
Penetrating oil applied to the screws and left for a while will allow many a stubborn screw to be removed. Do use well-fitting screwdrivers, as if you spoil a screw ]lead by using a wrongly fitting screwdriver it may be impossible to get it out without drilling. The drilling out of screws is extremely tricky and may result in damage to the pistol, so don’t try it unless you must. Expert help may be necessary. One way to loosen obstinate screws is first to place a little lubricating oil round tile head of the screw, and then to touch the head of tine screw for a second or two with the tip of a red-hot poker. This meat causes expansion and contraction to loosen the screw and the oil will penetrate and help with the withdrawal.
Dispiiawlitt,9 a flitalock, arid reassembling (see Fig. r). In order to take the lock to pieces for cleaning or repair the four screws which hold the mainspring, the sear, the scar spring and the bridle, must be half loosened. Then take out the mainspring screw and remove the mainspring. There is a pill at the rear end of the mainspring which engages in the lock plate, and the other end of the mainspring which engages in the toe of the tumbler. Compress the mainspring and it will come away easily. A hand vice is a useful tool for this job. Once tile mainspring is off, the other screws may be removed and die other parts will come off quite easily. Having cleaned all parts with fine files and emery paper or powder, and got rid of all the rust, oil everything well, and cover with Vaseline. Then set about reassembling. lock plate to take the cock on the outside. The scar and the sear spring come next and then the bridle. The square lug on the scar spring fits a slot in the lock plate and holds the spring in position. Compress the mainspring and put it on the lock plate with the holding pin in position, and put the lower end of the spring back over the tumbler toe. Then secure the screw. Without a hand vice, depress the tumbler to the fired position so that the end of the mainspring will go over it. Then put the cock oil and pull it back to the half cocked position so that the tumbler toe comes and compresses the mainspring. The rest of the pieces are put back in the reverse order to removal, the pan cover spring and pan cover going on last.
The barrel of the gun comes off next. This has a metal extension called a tang which runs into the stock. The tang screws are removed, and any retaining bands or pins. Trigger guard, butt cap and ramrod pipes are usually screwed or pinned in place and must be removed with care. If a gun is in bad condition it is likely that the rusty screws and pins are stuck into the wooden stock parts, and too much beef will merely result in breaking off chunks of wood complete with the pins and screws. Gentle tapping and the judicious use of penetrating oil will help. But leave things where they are rather than risk breaking the stock. Expert gunsmiths make their own castings and spare parts, but for those without the necessary tools or ability, castings can be bought, which only need filing to fit. Normans of Framlingham in Suffolk specialise in these parts and have a comprehensive catalogue.
Guns will be more or less rusty, either with ordinary brown rust or that black rust which seems to have eaten right into the metal and looks like black ink stains. When restoring or cleaning any kind of metal, the rule is not to overdo things. Gentle abrasives, gentle cleaners and gentle fingers give the best results. Patience is better than a power tool. Start by applying a mixture of oil and paraffin, or by soaking the metal parts in it. Patent rust removers arc fine if used with care. They should never be left on for a very long time, or they will etch the metal, and will probably dull it, although in this case can always be re- polished. Penetrating oil contains rust remover, so if you have been using this to remove screws, be sure to wipe it all off the metal before leaving the work for any length of time. Clean the inside of the barrel with a wire brush on a rod.
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Having cleaned off all possible rust, polish die metal work with jeweller’s emery, which is considerably finer than ordinary emery paper and comes in various grades (see Abrasives). Start with a coarse grade and finish with fine grades and you can get a mirror finish. Don’t be too quick to resort to buffing wheels or harsh abrasives; you may make deep scratches or rub off marks or chasings which cannot be replaced. Barrels may have a brown colour which is due to deliberate rusting, so that the barrel would not rust further while the gun was in use. To re-brown a barrel it must first be polished mirror bright and then treated with many successive solutions of a certain acid formula. Gunsmiths guard these formulae closely, and most send their barrels to an acknowledged expert to have the job done. It costs several pounds and would probably not be worth your while, simply to restore a not very valuable piece of junk.
Blue barrels were originally coloured by a heat process. Blueing is equally an expert’s job which takes time and experience, although solutions can be bought which enable the amateur to blue barrels quite effectively.
Clean brass parts, trigger guards, ramrod pipes, butt caps, etc. with ordinary metal polish. If these are missing new ones can be bought (see above) and fitted by filing.
Having achieved the polish and colour you want, the next thing is to maintain it. Be very careful not to handle the metal parts of your gun. after its final polish, as sweaty
fingers leave a deposit which causes spots of rust. (This
applies to ametal work.) A piece of wood carefully
jammed in the muzzle will make a temporary handle while applying a final finish to the gun. Wipe over the metal parts with a very thin layer of oil; or if you don’t like this, try wiping with aduster which is impregnated with silicone—these can be bought for dusting furniture in any hardware store. Some people like to lacquer things on the principle that lacquering reduces cleaning to ‘iaminimum.Un- less lacquer is of extremely good quality, it will darken in time and altogether spoil the look of the job. (See Lacquer.)
The wooden stocks or butts are another matter, and often need a lot of repair. The stock may be completely split. Modern impact adhesives, such as Evo-stik, make a strong join very easy, but it is best to make sure that they do fit accurately, as with impact adhesives once the two faces of a
join are put together they must remain if a good join is to be made. If the stock is chipped or if there is a piece missing, you are going to have to find a piece of more or less matching wood to replace it. Clean the old stock first with fine steel wool and linseed oil. Rub away until the dirt and any old varnish has gone, then you will be able to see the graiui and colour of the wood. Finding the right piece of wood may be difficult. A friendly furniture restorer is about the most likely mail to help—you will only need a small piece anyway. Whittle the new wood to fit with a sharp knife and fine sandpaper. If you are an expert wood- carver and have die tools, making a matching piece should be no problem. Remember, having bonded new and old, that it may be necessary to bore small holes for the pins or screws to take the metal parts when the pistol is reassembled and this should be done with care. When the bond is set, rub the whole stock well with linseed before reassembling the gun.
Shallow dents in wooden gun stocks can sometimes be reduced by steaming. Soak a piece of thick cloth in hot water and put it over the dent and then hold a hot iron on the cloth and get up a good head of steam; this swells the wood and reduces the dents a little, but as the wood dries right out they will probably reappear to some degree.
Gunstocks arc often attacked by woodworm and if this has happened, treat the stock with all anti-woodworm dressing such as Rentokil. If the stock is badly honey- combed, inject syntheticresin into the holes with a hypodermic syringe or even soak it in a thin mix to stiffen the whole thing.
Burr walnut (see Woods) is most commonly used for gun stocks and is mainly imported. You would probably have to buy a new stock blank through the trade and shape it to fit, if a whole new stock is required.
Of course if you can get hold of several pistols all more or less alike, you can make up composite restorations using sound parts from each. What you will have at the finish is a fake, not a restoration, but if it is just for decoration, then it doesn’t really matter, and only an expert will be able to tell that it isn’t the genuine article!
The periodical Guns Review contains much interesting information about antique firearms.
Swords
Swords turn up in junk shops in odd lots with old hickory shafted golf clubs, broken walking sticks and elderly umbrellas, and are usually a relic of somebody’s great grandfather’s service in the cavalry. The services still use dress swords and ceremonial swords, and these, being expensive items, get handed on and do not appear in junk shops. Valuable old swords are real collector’s items and you are unlikely to be trying to restore one of these. However, any old sword can look quite fine once it has been cleaned and polished. Knives and daggers and bayonets come into the same category and are perhaps more common in junk shops. Very often the scabbard, particularly if it is an Oriental one, is as attractive as the weapon itself and warrants as much care as the blade.
As with the restoration and cleaning of any kind of metal object, care is needed. Too violent attempts at rust removal may remove interesting marks or engraving or inlay, and half the fun of cleaning up these things is in what may come to light underneath. A sword, like a gun, can be dismantled into its component parts, and if this can be done without breaking the weapon or damaging it, it is far better to take it apart for cleaning. Blades were often made somewhere other than the hilts or sheaths, and the whole assembled by sword-smiths before sale. Parts got broken and were replaced, and a sword or a dagger can be a composite bearing different makers’ marks and still be quite genuine. If you find a sheathed sword in a junk shop, take it carefully out of the sheath holding the whole thing pointed downward. Be especially careful with knives and daggers for an old scabbard can split as you take out the weapon which may still be razor sharp.
To take a sword apart (see Fig. 3) first check the button at the top of the hilt. The tang, or top end of the blade, passes right up through the Ht and the pommel at the top, and is then burred over the button to hold the whole thing together. File off the overlap and slide the blade from the hilt; but it may not come out that easily. Later swords may have a screw-iii button. Grip the blade in a vice, near the top, but make sure the vice is padded, or the sword well wrapped, so that it will not be marked by the vice. Using a piece of hard wood as a punch, tap the base of the pommel upwards away from the grip, working round and round it till it loosens and the hilt begins to slide off the blade; but do be careful not to damage anything. Best leave well alone if there is no movement at all. Penetrating oil may help, if you can get some to run between the tang of the blade and the hilt. If the sword has only a small pommel, tap the hilt round the shells, at the bottom. Once again, be very careful for it is terribly easy to break castings.
Now the blade and the hilt are separate and can be coped with on their merits. If the grip is wooden and covered with leather, it may be split, and you will have to carve yourself a new grip using the old one as a pattern. Beech and walnut are tile most common woods, but any wood could be used to remake a grip which is to be covered—after all the sword is not going to be used in battle. If the grip is leather-covered, and the leather is sound, give it a good dose of leather dressing. There are various proprietary dressings and the same one can be used on a leather sheath. Some dressings give a long-lasting finish, others need more frequent renewing (see Leather Dressings).
A new leather grip cover can be made quite easily by cutting out a piece from any suitable leather. Clean off all the old leather and make the grip smooth and clean. Then very carefully pare or bevel the edges of the new leather grip so that they fit round the handle without a ridge where the join conics. Soak the leather and put it on the grip, smoothing it to fit. Then bind it on to dry. Rubber bands may leave grooves in the leather, so some kind of wide tape or bandage just to hold it in position while it dries is better. When the leather is quite dry, remove the binding, and, very carefully, the leather piece which should by now be exactly the right shape and fit. Using an adhesive, such as Evo-stik which will not stain the leather, stick it firmly to the wooden grip. Very often lints are wholly or partly bound with brass wire. If this has to be replaced, two strands of brim piano wire or picture wire, twisted together, make a good job. The actual binding is not so easy as the ends of the wire have to be neatly tucked in.
The cleaning of metal hilts andblades must be care- fully done. Brass and silver hilts will probably conic up well with ordinary metal polishes and some elbow grease, but steel hilts will need rubbing with abrasive. Make up various pads and sticks to help with the rubbing down,
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checking that the stick is wepadded with foam rubber under the emery paper; this makes it easier to get into difficult corners. Blades which have inlay should be treated very gently, as any rough treatment will bring it off. Soap and water and a soft cloth for drying are die best; certainly it is dangerous to use strong metal polishes or rust removing preparations. Clean plain blades and steel hilts with oil and paraffin mixture to remove loose rust, and then wash with strong detergent to get rid of all grease. Clean very greasy metal with carbon tetrachloride. Then wipe rust remover on the metal and remove it after a few minutes. You will get some idea of how much rust is going to shift, and can repeat the treatment until the metal is clean. The big danger is that rust remover, if left too long, will work unevenly and will start to etch the metal, and you will end up with a pitted surface. Oriental swords are very often meant to have a dull finish, and after a wipe over with rust remover, all they will need is a polish with a soft cloth, whereas Western steel is worked over with emery until it has a mirror finish. Don’t get fingerprints on to the polished metal or they will form rust spots in time. Rub the finished metal over with a light film of oil, or use a silicone-impregnated duster or silicone furniture polish, sparingly, on a soft cloth. Lacquer, if used, must be of high quality, or it will darken in time and have to be removed. Lacquer is really a lazy and not wholly satisfactory way of finishing polished metals (see Lacquer).
If metal parts of the hilt, quillons, shell guards etc., are broken or damaged, it may be possible to braze carefully shaped new parts into place, but this does seem to me to be a job for the expert as it requires special tools and a knowledge of technique.
If the top of the tang was filed off to free the blade, hammer out the tang a little so that there is something to burr over again on replacement. Be very careful, and hammer gently with the tang laid flat on a block. Reassemble hilt and blade and tap it into position tapping the pommel well home. Use a small mallet or a piece of wood, not a metal hammer. Burr over the top of the tang with a punch and file it smooth and neat.
If your sword or dagger has a metal scabbard, treat it in the same way as the blade, cleaning with great care if it has any engraving or inlay. If it is plain, wipe it with rust remover and rub with abrasive, and finish it with a silicone wipe.
Damaged leather scabbards take some mending. If the stitching has gone, it may be possible to restitch it, but often the holes have broken out and the leather is dry and dead anyway and won’t hold stitches. Just stick the edges together as neatly as you can with adhesive.
If the scabbard is broken, insert a strip of cardboard or veneer or plastic to support it. If leather is in good condition all it needs is a wipe with ordinary leather dressing. Sonic scabbards have been stained and polished or boned, these are best retouched and polished with ordinary leather polish.
Old pieces of armour, even complete suits picked up iii very bad condition, can be completely cleaned and done up. The methods used for cleaning sword blades, guns etc. arc suitable for armour. Museums use a phosphoric acid cleaner known as Deoxidise.
I know of someone who bought a terribly rusty old suit of armour for C20, without knowing anything about it, and cleaned and restored it and sold it for 0300. I suppose the basic cost of 4zo puts it outside the category of junk, but it is the kind of profit one likes to dream about.
Burnishing. Any cavalry mark will tell you that the only way to get swords, cuirasses, spurs, bits irons etc. chromium bright is to burnish diem. They are first cleaned with metal polish and then burnished. A burnisher is a leather pad with small steel rings like chain mail sewn to it, arid the object to be burnished is rubbed very hard with this pad. The metal will come to chromium brightness if you use enough elbow grease. The object is then greased very lightly, or lacquered to preserve the shine; but before doing this, small objects can be kept dry and bright in a bag of bran.
By the way, the shoulder pieces of a trooper’s dress uniform, which look like pieces of chain mail, are in fact ornamental burnishers.
Bits, irons and spurs are ornamental enough to become collectors’ items, and they should be burnished as described, or by being put into a canvas bag with a handful of ball-bearings and swung around for a bit. It is air old trick to burnish a curb chain by folding it inside a big duster or piece of cloth, and then, holding both ends tightly, to swing it about with a circular motion.

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The British Army finished the war against Napoleon with a somewhat mixed collection of smooth-bore firearms walnut armchair josef urban art noveau. There were three types of musket: the Pattern i8o2, the India Pattern and Brown Bess myott.son antique. It is probable that, with the rapid reduction of the Army which followed the peace, the two last mentioned disappeared fairly rapidly, and that the Pattern i 8o2 musket became the standard infantry weapon octagonal brass & silver table. The heavy cavalry were still armed with the Nock-type musket-bore carbine and ‘pistol which had been approved in 1796 old english pattern forks with four tines. The light cavalry carried the Paget carbine and pistol 1770 chippendale round salon table.
After every great war there is a tendency to cut down expenditure on the Fighting Services; and this affects both the size of the establishment and the provision of new equipment charles neo classism boulle. The result after Waterloo was that the small British Army had to wait about twenty-five years before the issue of percussion arms started, and even then it nearly received new flintlocks instead signed english art deco antique glass cabinets.
In 1834 comparative trials were at last carried out at Woolwich between flint and percussion locks, under the direction of Mr furniture copies. Lovell, the last person to hold the post of Inspector of Small Arms to the Board of Ordnance east indian antique silver. It may be that the Reverend Alexander Forsyth was responsible for these trials taking place ” american card table”. Colonel Hanger certainly thought so; for he wrote:
`In 1834, the Rev 16th century trestle refectory table. Mr 17th century boston silversmiths. Forsyth (the inventor of the percussion system) induced the Government to try a number of experiments, in order to test the value of his invention as compared with the old flint lock, and the result of these experiments was as follows:—Six thousand rounds were fired from a flint lock artdeco lamp. musket and’ a percussion musket, and the experiments were conducted in all weathers, six of each kind of arm being used telescoping console table. The results proved exceedingly favourable to the percussion principle, for out of 6,000 rounds from the flint lock there were 922 miss-fires, being i in 6-1, whereas in the percussion musket there were only 36 misses in 6,000 rounds, or i in x66 gustav klimt porcelain. The flint musket scored 3,68o hits; the percussion, 4,047 depression wood tea table. To fire ioo rounds the flint required 32 min examples of antique dressers. 31 sec robert adam pier table., and the percussion, 3o min identifying authentic yixing. myott and son hanley. 24 sec antique french saxon china flowers with gold.’
These results must have impressed the Board of Ordnance antique spiral legged small tables. At maryland antique sideboard.about this time a new series of flintlocks were designed for the Army thonet bentwood rocking chair. It does not seem, however, that they ever reached the troops, for the decision was suddenly taken to re-equip the Army throughout with percussion arms what is the greek word for furnitures.
The apparently surprising decision to replace the not very old Pattern i 802 by a new flintlock was taken, Mr american empire design antiques. Scurfield believes, through a desire to get rid of the 42-inch barrel antique metal double candelabra. The standard barrel length of the new weapon was the old Light Infantry thirty-nine inches voysey chalford table.
Serjeants carried a lighter version with a 33-inch barrel, and there was a still shorter one with a 3o-inch barrel for the Royal Artillery and the Royal Corps of Sappers and Miners value of a william and mary chest of drawers. This last weapon was termed a light carbine and had a 25-inch sword bayonet with a saw-toothed back edge victorian campaign bed. There was also a new, flintlock pistol, but this was issued as such and never converted duncan phyfe sofa c 1840.
In addition to the above weapons, a new light cavalry carbine appeared in: the rn art deco woman figure porcelain.id~dle I830’s- It does not seem, however, ever to have become a general issue reproduction ming porcelain. It was somewhat longer than the Paget carbine, having a 2o-inch barrel instead of one of sixteen inches antique gateleg table. The stirrup ramrod was retained warm entree dish. The lock was peculiar, since the steel was pivoted inside the lock plate, instead of on the outside antique silver plate vegetable warmer with lid. Owing to what was probably a sudden decision portuguese potters. to change to percussion arms, it is likely that production of this carbine was stopped prematurely antique “trestle table” kent.
The equipping of the whole Army with percussion arms was -a lengthy process 18c chair lion head. Although the manufacture of new firearms with the percussion lock was taken in hand immediately, it was intended that re-equipment should be carried out as far as possible by converting the new belgium porcelain dining tables. flintlocks antique hexagon ladles. Such a conversion was not a very difficult operation george ii burr walnut tallboy. The cock was replaced by a hammer mounted in the same position and striking on a nipple fixed to the top right side of the barrel duncan phyfe table and buffet. The nipple, of course, replaced the flash-pan and steel of the flintlock sette sofas chippendale 18th century.
The first new smooth-bore percussion musket was the so-called Pattern 1838 chippendale cutlery urns. Only comparatively few were made and its issue was confined to the Regiments of Foot Guards making cabriole legs with padded feet. As might be expected, in general form and appearance it was very similar to the earlier Pattern i 80 musket antique english column candlesticks. Together with the Brunswick rifle and the Victoria carbine for the cavalry, it formed a series for which Mr paw feet dining rooms table. Lovell was responsible; though whether he had an actual hand in design is not clear myott son & co. hanley. The 33-inch barrel was the shortest that had yet been issued to heavy infantry 19th century cutlery pennsylvania dutch. Serjeants of the Foot Guards were not issued with this musket, but with a 33-inch barrel version of its contemporary, the Brunswick rifle antique fluted legs.
Although the Brunswick rifle does not properly belong to a chapter on smooth-bore firearms, this may be an appropriate place to deal with it, since its issue was so closely allied with the other weapons for which Mr antique extending round dining table. Lovell was responsible art deco glass. It was intended to be the percussion replacement for the Baker rifle, and was officially designated ‘Lovell’s Improved Brunswick Pattern’ were exports scenes common in the chenghua period.
The new rifle was designed by Captain Berners, an officer in a Jaeger regiment of the Brunswick Army, and was adopted by the Board of Ordnance after trials at Woolwich in 1836 betty joel miroir antique. The rifling of the Brunswick was peculiar most valuable antique silverware. There were only two grooves, and they made one complete turn, in the length of the barrel antique oak dropleaf gateleg table. This was not a new idea by any means, for at the time of its adoption for the Army it was already the most popular form of rifling for sporting weapons can antique dressers pair with modern furniture. A special bullet was used with this two-groove rifling: spherical in shape, but having a•raised belt round the middle antique european sideboard, etagere, cabinet,. The belt fitted into the grooves, which were fairly deep, and the bullet of the sporting weapons fitted the bore sufficiently easily to be rammed home without difficulty 19th century side tables. In practice the results ob1 tained with this type of rifle were not as good as they would seem to be in theory what is antique library table worth. There was a good deal of friction in the barrel through the bullet magnificent table 18 century marble. not being able to move freely, there was a heavy recoil, and the shape of the bullet did not lend itself to accurate flight contemporary british cabinetry best examples.
The calibre of the Brunswick rifle was ‘704 and the barrel length (except as mentioned above) was thirty inches duncan phyfe buffet. It was sighted to 300 yards, was fitted with a cross-handled sword bayonet and measured three feet ten inches overall french restoration table. It was a thoroughly bad weapon; perhaps the worst ever issued to British troops antique dining fold over tables with leaves. One of the troubles seems to have been that the ball was made too tight-fitting, and another that there was insufficient power behind the bullet to keep it spinning sufficiently rapidly for straight flight deco airplane stand.
The unfortunate Rifle regiments were inflicted with the Brunswick up till the Crimean war officers campaign bed. Their opinion of it is reflected in a report submitted in 18 52 by a Select Committee on Small Arms:
`At all distances double scroll legs desk art deco. above four hundred yards the shooting was so wild as to be unrecorded rose emblem. The Brunswick rifle has shown itself to be much inferior in point of range to every other arm hitherto noticed d-form dining table. The loading of this rifle is so difficult that it is a wonder how the Rifle regiments have continued to use it so long—the force required to ram down the ball being so great as to render any man’s hand unsteady for accurate shooting empire sofas. Comment is unnecessary pierced silver hot plate made in italy.’
Lovell’s other firearm was the ‘Victoria’ carbine drop leaf carved leg table. Like the heavy cavalry carbine of 1796, it had a 26-inch barrel of musket bore chinese mother of pearl chair rosewood antique. It was issued, apparently, to the Household Cavalry only vintage chinese black lacquer card table.
At the same time as the Lovell weapons were appearing the conversion of all three types of the new flintlock musket was taken in hand george 11 antique lacquered furniture. The percussion version was known as Pattern 1839, and except for the altered lock was identical with its flintlock predecessor early nineteenth century german desk.
It is probable that there were sufficient of the flintlock muskets to equip the whole Army with converted arms seek jingdezhen plum blossom porcelain vases. However, in 1841 there was a disastrous fire in the Tower of London which destroyed many thousands of firearms awaiting conversion 1940’s mahogany dining chairs. As a result a new series of arms had to be manufactured antigue table cloths 1920. The musket was called Pattern 1842 rectangular dropleaf tables. It was similar to, and was produced in the same three barrel lengths as, Pattern 1839 federal style 18th century dresser. The only major difference was that the bayonet of the short musket was no longer saw-backed julius mihalik.
There were two percussion carbines for the cavalry: musket bore for the heavy cavalry and carbine bore for the light cavalry rectangular oak gateleg table. The carbine for the heavy cavalry retained the 26-inch barrel silver candlesticks flower. That for the light cavalry had a slightly longer barrel than the last flintlock weapon of twenty-one inches how to value lowboy queen anne.
Mr stone china george jones stoke on trent. Scurfield hag made some interesting comments on the final changeover from flint to percussion arms jockey cap caddy spoons. He says: `A tradition persists that some regiments going from India to the Crimean War were still armed with flintlocks, but I have never found any confirmation, and to me it seems rather improbable davenport cabinet desk. All the same, I do not know when the Regular Army handed in its last flintlocks, and can only suggest that it was between x 84 and i850—perhaps not long before 1851, the year of the Great Exhibition antique neoclassic furniture. The Militia went straight from the India Pattern flintlock to the Enfield rifle in the very late 18 -So’s or early 186o’s antique white chamber pot.
`In 1846 the 27th Foot (Inniskilling Fusiliers) in South Africa were still armed with a mixture of flint and percussion muskets, but two battalions of the gxst were completely equipped with percussion; it would be interesting to know whether they were Pattern 1839 or Pattern 1,842—or some of each antique tea cabinet.’
In the years following the Napoleonic wars most of the cavalry’s pistols had been withdrawn walnut baluster leg table. Lancers -carried them in place of carbines, which got in the way of the lance; and in other regiments they were retained by serjeant-majors and trumpeters, who also did not carry carbines furniture makers of the 16th century. To meet this limited need a percussion pistol was made with a musket bore and a 9-inch barrel antiques pottery made in coimbra.
The fulminating compound which was used in these first military percussion arms was made up of three parts of chlorate of potash, two parts of fulminate of mercury and single gate leg tables.one part of powdered glass antique italian rococo bedroom set marble and wood.

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Hennem was requested to make thirty of his screwless locks for Durs Egg’s breech-loading cavalry carbines austro hungarian empire architecture .: and two months later he was directed to make ninety muskets to the design of the Master-General, of the Ordnance (now the Duke of Richmond) and to fit them with his locks chippendale drum table 2 drawers . On the ist October 1785 Major-General O’Hara, Colonel of the 22nd Foot (now The Cheshire *Regiment), invited Hennem to fit his locks to all the muskets in his regiment john widdicomb furniture/french provincial . O’Hara must presumably have seen and been extremely impressed with the 2oth’s trial muskets, for the alteration was a very expensive one to carry out under regimental arrangements amphora czechoslovakia . It must have looked to Hennem as if the future of his lock was assured, and yet it seems that O’Hara’s was the last important order that he had meubles decoration antique europe .
On the 22nd February 1′786 Hennem offered *to modify the stocks of Sergeant’s, carbines and to replace the existing locks with his own for an inclusive charge of 155 barley sugar twist pillars timber . -for each carbine george iii serving table . This offer was politely rejected with the explanation that a change of the firearms of the Army was under consideration small antique sutherland table . The change was due to a competitive venture by Hennem’s erstwhile backer or co-operator, Henry Nock delftware t.i holland .
Nock was one of the leading gunsmiths in both London and Birmingham ivan chermayeff, furniture . He held Government contracts for the manufacture of muskets and carbines, and produced, in addition, many ingenious and original weapons of various types brass frame girandole images . He designed, for instance, a ‘volley gun’ with seven barrels all fired by one hammer at the same time, and intended for Naval boarding parties; four- and seven-barrel revolving pistols; a heavy piece, or ‘wall-gun’, with a repeating action; and several others how much is a victorian dressing table worth . He was obviously the type of gunmaker to whom Jonathan Hennem’s lock would have appealed silver spoon design europe 18th century .
What the arrangement was between Hennem northern europe in the 16th and 17th century . and Nock is not known early 19th century upholstery fabric . It may be that Hennem was too independent a character for Nock’s liking pier roger vandercruse . In any case he had found an eccentric genius who had invented a lock which was somewhat similar to Hennem’s, though more complicated bulbous leg dining table . This was a mathematician named George Bolton, who at one time had been tutor to the children of George III 18th century silver mote spoon . He had devoted a large part of his spare time to the improvement of gun-locks; and seems to have established a gun shop in London in 1773 with another Bolton (F luxury art deco upholstery fabrics . H jennens & bettridge tole tray .), who was perhaps a brother rococo revival marquetry-inlaid wardrobe .
The Bolton lock also had no screws, and all its components were enclosed between two plates, of which the outer (in the position of the normal lock plate) was fitted with pins to hold the moving parts antique double claw pedestal dining room table . A special feature was the accurate machining to standard dimensions, which permitted the easy replacement of breakages antique inlaid pembroke table .
Nock seems to have acquired the sole rights in this lock, for most, if not all, of those made for the Government bear his name ‘H scheid enamel . Nock’ on the plate tripod table, claw and ball foot, antique . In, probably, 1785 Nock produced a new range of military firearms, comprising musket, pistol and carbine, which he submitted as suggested replacements for the Brown Bess series of flintlocks antiques furniture,josef hoffmann . Initially he seems to have* met with considerable success chinese porcelain wall decoration mask history . Trials carried out with his arms must have been satisfactory, for they led to a cessation of orders to Hennem, and a large number were issued to regiments of Horse and Foot for extensive trial turn top walnut tea/card table . Further, it does not appear that art deco consoles . ultimate approval was doubted, for a very large number of the locks were manufactured, and it is reasonable to suppose that these were intended for the conversion of existing flintlocks antique collectors cabinets . Nevertheless the Nock arms were rejected after only a short trial 1940’s art deco black and gray lacquer bedroom set prices . There must have been some weakness in the lock which led to it comparing unfavourably with the sturdy old Brown Bess under active service conditions apostle tea spoons made in england .
One of Nock’s most notable contributions to the development of firearms was the invention of his ‘Patent Breeching’ renaisance design dining table made .
It was too expensive a refinement ever to have been adopted for military firearms, but it drew attention to the advantages obtained by more rapid and more efficient explosion of the charge german 1930 furniture value .
It had been known for some time that if, instead of the ordinary flat-surfaced breech-plug, a special type known as a `chamber-plug’ was fitted, a more powerful explosion resulted antique double pedestal dining room table . In this form of breech the diameter of the powder chamber was slightly less than the bore of the gun, and the breech end was a rounded hollow cut out of the breech-plug 5″ antique rectangular drop leaf table with drawer . From the centre of this hollow was drilled a narrow channel, called the `ante-chamber’, which received a portion of the powder and which connected at right angles with a vent running outwards to the touch-hole of the gun antique brass mirror convex eagle . The idea was that the flame
from the touch-hole, instead of igniting a corner of the charge, “antique furniture” - writing bureau and display cabinet .9
passed through the ante-chamber and through the centre of the powder, thereby igniting all of it at the same moment 17th century antique trinket boxes . The greater power of the explosion resulted in a higher initial beilby glass prince of wales feathers newcastle . velocity of the bullet; in other words, the full force of the powder was exercised in a shorter distance types of bureaux . It was therefore possible to use a shorter barrel; and the barrels of ‘chambered’ pieces were from six to ten inches shorter than those of firearms with the normal pattern of breech characteristics of english medieval gateleg table .
The disadvantage of the ‘chambered’ gun was that the flame had to travel down the touch-hole vent and thence through the ante-chamber before it reached the main chamber; a considerably longer distance than the usual direct contact between touch-hole and charge cabriole leg demilune table . The flintlock already suffered from the delay between pressure on the trigger and ignition of the charge antique oval drop leaf dining table with turned legs . In ‘chambered’ guns it was much greater, and the sportman had little chance of hitting a fleeting target art-deco-1920-1930-wood .
Nock’s feat was to invent a breech which produced the same power as one fitted with the chamber-plug, and yet with less delay between the fall of the cock and the explosion than was experienced with the ordinary flintlock breech antique rectangle drop leaf table cabinet .
Instead of a hollow the Nock breech-plug had a deep cavity cut in it to receive the charge antique french cabriolet dresser . The rounded end of this cavity was connected by a very short passage to a wide ante-chamber cut through the breech-plug from one side to the other art decos exotic bronze chair . One end of this ante-chamber was closed by a screw, to give access for cleaning, and the other by a gold or platinum plug drilled in the centre with the touch-hole 18th century drum tables . Since in loading some powder fell through into the ante-chamber, and the passage separating it from the main chamber was only about -at inch, the touch-hole was as in close effective contact with the charge as in the conventional breech antique walnut dining table 10 foot . Furthermore, the powder in the ante-chamber was so closely confined that it exploded as soon as the flame from the priming powder reached it, instead of being set on fire first as in the normal piece turn a silver tray into a table .
The vast improvement in the performance of flintlock weapons which was effected by Nock’s invention has been rather overshadowed by Forsyth’s more efficient solution of the same problem with the percussion lock english antique trays .
SWORDS IN THE
EIGHTEENTH CENTURY
Progress towards the standardization of swords throughout the Army was far slower than in the case of firearms jean rene prou furniture . Regulation patterns for musket, carbine and pistol had been introduced in the reign of King James II; but it was not till near the end of the eighteenth century that there was Army uniformity of swords 19th c english tin glazed pottery . Long before that there must have been similarity in the swords carried by regiments of the same arm of the Service because there was bound to be a limit to the number of types which the swordsmiths turned out, and these types would conform in general to popular military demand clock singer music candlesticks . Variations between regiments, therefore, would be chiefly minor modifications of the normal type in accordance with the taste of* the Colonels sofa carved top rail . The officers’ swords would tend to differ much more than those of the men, because being more expensive and privately purchased there would be little difficulty in satisfying even the most exotic requirements chinese porcelain decorators . But two factors would tend to preserve some uniformity: firstly, the Colonel of a regiment would often, probably, insist on his officers being armed alike; and secondly, the fashion of the moment is a very powerful factor, particularly amongst very young men value of primitive antique work bench .
After the end of Queen Anne’s wars on the Continent infantry soldiers still seem to have been armed with the hanger 19th century empire daybed . It appears, however, to have been exceedingly unpopular; probably because the possession of a bayonet would make a sword seem an unnecessary encumbrance meissen cris de paris . Several infantry units seem to have stopped wearing swords altogether, for on the 1st December 1724 an order was issued to the Army which by its wording inferred a widespread irregularity biedermeier candelabra . The order read:
`The King is determined to have all the N what is a double gate leg table .C macassar ebony furniture .O ironstone ware japanese willow .’s and men of His foot forces wear swords antique round dining tables with extensions .’
Nevertheless Authority was fighting a losing battle gothic arch furniture . Once the fighting troops have decided that a particular piece of equipment serves no useful purpose there is little chance of its being carried on active service weimar germany china antique . By the middle of the century many regiments had far less than their proper complement of swords, and some had none at all makers of antique table clock with music in china .
At some period Grenadier companies were given basket-hilted swords, instead of the usual brass-hilted hangers wardrobes 19th century . The Grenadiers of the 4th Foot (later The King’s Own Royal Regiment) had them in 1727, those of the 40th Foot were wearing them in about 1750, and a water-colour by Sandby shows the Grenadiers of the Coldstream wearing straight steel basket-hilted swords in 1747•
There does not seem to have been any material change during the- first half of the eighteenth century in the type of swords carried by infantry officers refectory table . In 1746 those of the 4th Foot had a steel hilt, and the scabbard was leather with steel mounts antique deco tub chair .
A typical cavalry sword of 1750, carried by both Horse and Dragoons, had a straight single-edged blade and a full basket-hilt 20th century furniture development in france . The pattern of basket-hilt varied from regiment to regiment, and those of the King’s Own Regiment of Dragoons, for instance, were of brass french animal chairs . The 3rd and 4th Irish Horse, instead of a straight blade, had one which was curved and slightly shorter than the normal kommode roentgen . The length of the blade was 31-1 inches and the breadth 1j inches gilt metal mounted pier table .
There is a Dragoon sword of about 1742 which is of interest as probably being of a fairly typical general pattern, and yet with distinctive regimental characteristics octagon mahogany antique table value . The blade is straight with a single edge and a length of thirty-six inches john walton antiques . The hilt is iron, but only half basket, and with a fishskincovered hilt bound with twisted brass wire how much would an antique clawfoot dresser cost . From the hilt hangs a buff leather sword knot with runner and tassel value of silver candelabra . The scabbard is of black leather, carried in a frog suspended from a shoulder belt 1980 scandinavian leather chair recliner barcelona .
In 1735 the drummers of the 8th Dragoons were distinguished by carrying scimitar swords; and in 1754 special swords were used to denote rank in the Royal Dragoons: brass-hilted swords being issued to serjeants and corporals 16th cent. sideboard .
When in 1755 a Light Troop was added to each regiment of Dragoon Guards and Dragoons on the British establishment, the Royal Warrant laid down that the men were to have `a short cutting sword 34 ins picture of pennsylvania house antique cherry buffet claw feet . long in the blade with a light hilt without basket’ penwork italian . This regulation was typical of the time in that it gave a very general specification and ample scope to Colonels of regiments to choose what they wished antique mahogony carved dressing table . The blade could apparently be either straight or curved and the hilt of any pattern so long as it was light and without a basket antique draw leaf tables . Captain Hinde, in his The Discipline of the Light Horse, deals with both the Light Troops and the subsequent regiments of Light Dragoons, the first of which was raised in 1759 confidante sofas . It is unlikely that there was very much change in the Light Dragoon sword between the time the Light Troops were raised and the formation of the Light Dragoon regiments; but at the time Hinde wrote the sword blade had been lengthened to thirty-seven inches old silver lustre myott . Hinde’s description of the swords carried by officers and men is given in Chapter V, and it will be- noted that the pattern of sword was still left to the choice of the commanding marquetry inlaid trays . officer seated harlequin with a tankard, johann kandler . An illustration in Hinde’s book shows a trooper of a regiment of Light Dragoons armed with a straight-bladed double-edged sword, with no hilt protection other than counter curved quillons indian antique tea kettles . In addition to the mounted pattern, officers apparently had a special sword for parades on foot verlys france . Of these Hinde says: ‘The Officers Parade Swords for Foot Duty, are about 28 Inches Long in the Blade, and worn in a Belt round the Waist’ antique side chair desk . Even the length of swords, however, does not always seem to have complied with regulations french 18th century bureau cabinet . Of his own regiment, the Royal Foresters, Hinde says: `Their Swords were remarkably Long, and quite straight’ makers of 1940’s american art deco furniture .
Farriers did not carry swords antique fold over table . According to Hinde: ‘They carry an Ax at their Left Side in a Belt of the same Colour of the Mens over the Right Shoulder, and a White Apron rolled back on their Left Side jupe patent extending dining table . When the Men draw their Swords, the Farriers take their Axes from, their Sides, and place the Handle on their Right Thighs Advanced, with the Edge turned towards their Horses Heads; they might carry a Saw on their Right Sides, in a Belt over the Left Shoulder, and a Spade in a flat Bucket under the Right deco tub chair . Budget, like the Carbines coming under the Right Arm art deco antiques contemporary world paris .’
Captain Hinde’s remarks on weapons may be fittingly concluded with his method of preventing arms from rusting antique american empire card table with scroll feet . This is as follows:
` antique furniture empire chest of drawers .d Receipt to keep Zrms from Rust nouveau art draws .
‘One Ounce of Campshire to Two Pounds of Hogs-Lard, Dissolve them together and take off the Scum; Mix as much Black-Lead as will bring them to an Iron Colour: Rub your Arms over with this, and let it lie on Twenty-four Hours, then Clean them as well as possible with a Linen Cloth, and they will keep without the least Rust for Six Months fold over tea table .’
The Royal Warrant of 1768, which dealt in detail with the clothing and equipment of the Army, made some attempt to secure reasonable uniformity in swords value staffordshire engine turned redware teapots 18th century . It laid down that the swords of each regiment were to be uniform and proscribed patterns and colours for sword-knots, belts, etc 19th century antique hall table ., and gold or silver coloured metal for hilt and scabbard appointments, according to the colour of the buttons old fashioned table brass metal claw feet on casters .
As regards the rank and file of the infantry the Warrant recognized what was practically a fait accompli empire card table . It said:
‘SWORDS antique card table withe one flap .
`All the Serjeants of the Regiment, and the whole Grenadier Company, to have swords spanish table antique turned legs . The Corporals and Private Men of the Battalion Companies (excepting the Regiment of Royal Highlanders) to have no Swords 16th century english joyned table .’
The Royal Highlanders (42nd Foot, or Black Watch) were presumably excepted because, like the Grenadiers, they wore the broadsword with basket hilt chippendale pinecone . The privilege was not appreciated, however, and the 42nd got into hot water for discarding their swords on the pretext that bayonets had proved far more useful in the American War 18th century antique gate leg table . However, the 42nd’s opinion of infantry swords seems to have received support from senior officers with war experience, for in 1783 they were given permission to return their swords to store french cabriole leg tracing pattern . The following year a Board of General Officers, which had been established to examine the soldier’s equipment in the light of the war in America, reported that Grenadiers had never worn their swords in action and recommended their abolition 19 century mahogany gateleg table . As a result swords were abolished throughout the infantry for all rank and file except drummers antique pottey work table . For these latter, the Royal Warrant of 1768 had specified ‘a short sword with a scimitar blade’; which was, in point of fact, a hanger vintage cherry table with queen ann legs .
Somewhat paradoxically the sword was about to become the principal weapon of the infantry officer at about the same time as it was being withdrawn from the remaining rank and file maurice dufrene, design .
The changes in officers’ shaft weapons is somewhat complicated 18th century occasional table . At the beginning of the eighteenth century captains and lieutenants of infantry had pikes and ensigns find 1954 crystal green tinted wine glasses . half-pikes telescopic table pedestal . In 1710, or thereabouts, captains reverted to the spontoon yuan muhammadan blue . At possibly the same time the lieutenant’s weapon was changed to a half-pike antique hanging corner display cabinet . In 1743 all officers of foot were directed to carry spontoons s s meissen mark . The spontoon was then the infantry officer’s principal weapon; but not, it seems, a very popular one gabriel viardot . That some difficulty was experienced in making officers carry it is shown by the following extract from an order book of the Brigade of Guards stationed in Germany in 1761-2:
`28th April rectangular table dressing . Colonel Thomas having remarked that the use of the espontoon is grown into a kind of disuse amongst the Officers of late, the naked sword or firelock being substituted in its room (a liberty which never used or ought to be allowed but upon emergencies), desires it may be resumed on all occasions in the Coldstream Battalion when it used to be!
The carrying of a ‘firelock’ was an adoption of the practice in Grenadier companies where all officers carried a light flintlock, generally a privately purchased weapon staffordshire figure prince “zebra” .
The American war finally dealt the death blow to the officer’s spontoon antique vargueno . Of the 63rd Foot in 1784, for instance, the Inspecting General commented: ‘Just arrived from America, where the officers never made use of espontoons; saluted with swords’ antique buffet sideboard signed by cabinet maker . Two years later the carrying of spontoons by infantry officers was abolished century pembroke .
Serjeants carried halberds for practically the whole of the eighteenth century, but in 1792 they were directed to carry pikes instead scandinavian aesthetic . This order did not in the first instance 1940’s mahogany dining chairs .apply to serjeants of Grenadier and Fusilier companies who, like the officers, carried flintlocks, but later in the same year they too were ordered to carry pikes meissen porcelain bronze . Serjeants of Light companies, who also carried flintlocks, were permitted to continue to do so english ironstone pottery ltd .

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SWINEFEATHERS apostle spoons .
Top: A Swinefeather and its Case antique gateleg extention table .
Bottom: Combined Musket-rests and Swinefeathers antique spanish sideboard .
Dragoon—A flintlock (not a silver tripod table . matchlock) musket (which I hold much better for dragoon service, being upon occasion they may be able to make use of their snaphaunces on horseback, and upon any service in the night they may go undiscovered’); a belt to hang the musket on; a long tuck; a swinefeather identify furniture legs 1930 .
THE BIRTH OF THE REGULAR ARMY
With the restoration of the Monarchy the large and well-trained army of the Commonwealth was disbanded rococo medallion sofas . But from it, and from the exiled followers of the new King, was formed the British Regular Army art deco china cabinet . It was only a small army: a mere handful of regiments of horse and foot porcelain jug representing the four continents and a queen as europa . Its requirements in equipment were therefore comparatively small, and easily satisfied from the vast stocks of military stores which were available after the disbandment of Cromwell’s troops regency sofa . The King was far too poverty-stricken to provide his Army with more modern arms; and thus through the whole of his reign the troops were armed with substantially the same weapons with which the Civil War had been fought dining room table with white pillar legs .
The first scale of arms for the Army is contained in two contemporary documents gothic iron garden seat . In a M leaves for old oak table? .S latter carving on pembroke table . book which contains the establishment of the Army as it was formed in 1661, it is laid down that:
`Each horseman to have neoclassical regency furniture period . palissy dishware . marquetry semi-circle drop leaf . a sword, a case of Pistolls, the Barrells whereof to be not under fourteens inches length, and each Trooper of the Horse Guards is also to have a carbine 19th century regency furniture . The Musquet of every Musquettere is to be three feete in length in the Barrell, And the Bore to bee for Bullets of twelve in the pound, and each Pikeman to have a Pike made of Ash not under sixteens feete in length Head and Foote included antique furniture 1800 .’
Two years later the ‘Orders and Instructions’ of the Sth May 1663 directed that: antique gateleg table small . upholstered desk chair with cabriole legs . bob-box century . each Horseman to have what is a harlequin pattern . black leather armchair for desk . antique writing utensils . A sword, a Case of pistolles, the barrells whereof are not to be under fourtecen Inches in length, and each Trooper of Our Guards to have a Carbine, besides the aforesaid Armes, And the foot to have each Souldier a Sword, and each Pikeman a Pike of 16 foote long and not under, and each Musqueteer a Musquet, wth a Collar of Bandaliers, the barrell of which Musket to be about foure foot long, and to conteine a bullet fourteen well shall weigh a pound Weight antique black irish dresser .’
Whilst these documents are in substantial agreement, there is a surprising difference iii two lengths given for the musket barrel antique cherry drop leaf tables . Four feet was the normal measurement, but it may be that when the Army was first formed some relaxation was allowed in order that some of the non-standard arms available could be issued antique bookshelf design . As regards the apparent differences in the musket bore, one of these probably related to the nominal bore and the other to the actual weight of the bullets swansea duck egg .
There are two further points of interest: a trooper of the Horse Guards carried a carbine as well as two pistols; and the pike had been reduced in length to sixteen feet song dynasty bluish green glazed earthenware .
The eventual doom of the pike was heralded in two extracts which appear in Book W 5 leg antique table .O antique stemware+cobalt blue . 47/5 in the Public Record Office:
4 14 March, 166,2 antique english dressing table . Ordered that the french pikes and ye short swords or Byonettes that lately were recd finmar aalto artek . from Dunkirk be surveyed & an accompt presented to the office of their defects to ye end a Contract may bee made for their speedy repaire antique bedroom furniture with fan brass handles .’
4 17 March, 166-2 console tables tubular uk . Ordered yt ye Byonettes lately recd from Dunkirk to be issued to the psons foil antique wood inlayed wine cellaret photos . to be by them made cleave and repaired & returned with io daies space at rod ape antique chinese carved wood nest of tables .
It would thus appear that Soo bayonets were obtained from France, and that they had already seen hard service and required overhauling japanese antique boxes . Bayonets were already issued to at least part of the French Army, for in his oval loudon floral 1783-1843 .4rt de la guerre Puys6ger notes their use in 1647 valuable antique basketry marks . They were plug bayonets with handles and blades which were both twelve inches long classic furniture.dwg . It is probable that Charles II or his officers had seen and admired them in France, and it may be that this worn lot were obtained either very cheaply or as a gift from the French King cabriole design .
The plug bayonet apparently originated in the short, broad-bladed knife which was carried by hunters, and which had a round handle which could be fitted into the barrel of the gun in an emergency what is a double gate leg table .
The trial of the bayonet in the British Army was evidently a success; for a Royal Warrant of the 2nd April z 67 contained the following:
CHARLES R antique draw leaf dining table .
`Our Will and Pleasure is, that a Regiment of Dragoons, which we have established and ordered to be raised, in Twelve Troopes of fourscore in each beside officers, who are to be under the command of Oure most deare and most entirely beloved Cousin Prince Rupert, shall be armed out of Our stores remaining within Our office of the Ordinance antique paintings of trinidad west indies . gillows decorating firm . king george sofa table with iron lion legs . the soldiers of the several Troopes aforesaid, are to have and carry each of them one match-locke musquet, with a collar of bandaleers, and also to have and carry one bayonet or greate knife angouleme dihl .’
After this initial issue to one regiment, the adoption of the bayonet throughout the Army seems to have been somewhat slow george scheidt enamel . This was only natural, as the combination of musket and pike was a well-tried one in the infantry, and, war being a dangerous pastime, there is always an understandable reluctance to replace proved weapons by new and to act as escort to the artillery, and the light fuzil was better suited to their particular duties than the cumbersome matchlock mahogany coffee tables that incorporate a glass display case in centre . It will be noted, however, that the fuzil, although of carbine bore, was built as an infantry weapon, for the barrel was of matchlock length swan plate kandler .
Rests still formed part of the equipment of the musketeer, but they were seldom taken on active service, and were generally only used for ceremonial parades and duties carved african tripod table with chess board .
The introduction of Grenadiers into the new British Army marked the recognition of a weapon which had proved its value in the Civil War imperial gateleg table with japanese decorations . Explosive hand missiles had been used in warfare for very many years, but they were crude in manufacture and fairly ineffective in use first antique table de chevet . Those first used in the Civil War were also of doubtful value antique regency furniture . The filling aperture was generally closed by means of a wooden plug, in the side of which was a slot so that one end of a piece of slow match could be pushed into the interior nineteenth century gillow chair . The other end of the match was lit before the grenade was thrown wedgewood stoneware . The disadvantage of this method was that it was difficult to judge the correct length of match antiquite dressers . If it was too long the enemy often had time to throw it back again before it exploded sheriton roll top antique bureau . If it was too short it exploded in the air or even in the thrower’s hand maurice dufrene, design . The difficulty was surmounted by a most ingenious device antique extend side table . The wooden plug, instead of having the single slit, was bored with several holes chicken coups made into dressers . Into one of these a piece of match was inserted, and a bullet was fastened to the end inside the case sofa french 4 legs . Twigs were pushed into the other holes to act as a rudder like the feathers of an arrow and ensure that the match was kept to the rear during flight antique carved trestle table . When the grenade hit the ground or target the momentum carried the bullet forward and the lighted end of the match was pulled inside the case so causing the explosion walnut escritoire .
The grenades adopted for the Army in 1677 were better made and designed, but the percussion-ignition system was retained antique sideboards and buffets 1920 dutch . The military grenade weighed about 21 pounds and was 2-1 inches in diameter italian wood armchairs .
The subsequent life of grenades spanish vargueno . in the Army was comparatively short were exports scenes common in the chenghua period . During the eighteenth century they gradually dropped out of use; probably owing to the introduction throughout the Army of efficient flintlock weapons flatware forks types . The trench warfare of the Crimea brought them back into favour: and then they reappeared for some reason in the Sudan in 1884, But it was not till the First World War that the prestige of the grenade was restored to the level which it had acquired in the late seventeenth century antique drop leaf painted table 1800 .
Officers and sergeants of the infantry were still armed primarily with shafted weapons edge simplicity tub chair . These, however, were as much a symbol of rank as for serious use english stoneware marks . In 166o captains carried pikes, but by 1680 they had eight-foot spontoons antique hepplewhite sofa . Lieutenants started by carrying partizans, but in 168? they received pikes instead antique,dinning room table,gateleg,drop leaf . The sergeants were armed with halberds, which they retained until very nearly the end of the eighteenth century vintage gateleg dropleaf table .
In spite of the introduction of bayonets, musketeers were still equipped with swords american oak drop leaf table antique . Whilst there was no regulation
ti
pattern, something more serviceable than the rapier had gradually been evolved, with a straight cut-and-thrust blade and a simple guard with counter curved quillons, one of which was usually extended towards the pommel to form a knuckle bow paris style art deco desk .
It does not appear, however, that swords were popular with musketeers nancy galle furniture . According to the French writer Louis de Gaya, in his Traitl des armes of 1678, the English infantry seldom drew their swords but preferred to use the butts of their muskets at close quarters renaissance italian furniture style a bambocci and cupboards . This is understandable, since, without dropping the musket, the effective use of a sword must have been a difficult matter louis xviii style furniture . De Gaya was a captain in the Regiment of Champagne, and probably fought alongside the troops of King Charles II on the Continent antique double claw pedestal dining room table .Somewhere about x685 a sword with a short curved blade was introduced in supersession, or partial supersession, of the long straight-bladed sword antique english queen anne china cabinet with cabriole legs . This new weapon was known as a ‘hanger’ christening bowl used for . The blade was single-edged, curved towards the point, and about twenty-four inches in length art dec countries . The hilt’ was brass, and consisted of a rather flat double-shell and knuckle bow 19th century furniture archives . The grip was generally of wood and bound with wire boulle card table .
The first troops to be equipped with the hanger were the Grenadier companies of the infantry regiments; and it appears to have been, in fact, the first sword with which they were issued kem weber furniture designer prices .
The rapier was worn by officers long after it was discarded as an other ranks’ weapon, and it was probably carried by infantry officers during most of the reign of Charles II antique oval table with middle drop leaf . The sword which gradually replaced the rapier was of a somewhat similar type to that carried by the musketeers mahogany dining table cabriole legs . The blade was generally straight and intended for both cutting and thrusting antique little silver . The hilt was brass, and the guard comprised quillons and knuckle bow aaron burr desk .
From about 1685 officers of the Grenadier companies were armed with fuzil and plug bayonet, and thus carried neither sword nor shafted weapon 1800’s library tables .
At the end of Charles II’s reign privates of Horse and Dragoons had a sword with a straight blade and a steel full basket hilt inexpensive antique wardrobes . The blade was generally about thirty-eight inches long and sometimes double-edged universal statuary co mirror .
An improved method of carrying powder on the infantry soldier began to make its appearance during the 168o’s antique mahogany fretwork hanging cabinets . The bandolier, with its suspended and clattering wooden chargers, made silent movement by a body of troops virtually impossible sheffield plate 19th century . In its stead there was introduced a cartridge pouch, in which was placed a supply of made-up paper cartridges; each containing the requisite amount of powder (but not the ball) for one round of ammunition chamber pot cabinet commode 1800 . Such cartridges had already been in use for some time for the carbines and pistols of the cavalry antique book ends .
MARLBOROUGH’S ARMY
Charles II was succeeded by his brother, James II, a first-class administrator, who proceeded to expand the Army and to forge it into an efficient fighting machine repaint ceramic lamp .
One of the first results of the new regime was the production of a new scale of firearms to replace the many worn-out antiques which were still in service french makers of consoles gibier style 18th century . The effect of this was to give the Army a fairly standard armament, and, for the first time, regulation designs rococo writing table .
The new musket could be fitted either with a matchlock or a flintlock austro-hungarian +antique +furniture . It was a very substantial and heavy weapon lion head sphinx paws revival art chair . The* barrel was 451 inches long and made of very thick metal important american girandole mirror . The stock was painted black, and the barrel probably `russeted’ maples of london cabinetmakers . The matchlock was fashioned something after the style of a flintlock; the pan and cover being attached to the lock plate instead of, as previously, to the barrel petite french mantel antique clocks . The flintlock too was an improvement on its predecessor; the befter-designed lock which had been fitted to private arms for many years past being substituted for the old crude military lock classical revolving bookcase . Many of these muskets, as well as the other new firearms, bore the Royal cypher, J2R with crown over, on the lock plate antiquevenercoffeettableclawfeet . It has been suggested that this was a privilege restricted to the Household Troops and the Royal Regiments, and that it was not extended to all arms until the reign of George II antique mahogany rent table .
Matchlock muskets appear to have been issued only to the battalion companies of the infantry italian spider leg table . Fusilier regiments, Grenadier companies and Dragoon regiments had flintlocks paris exposition candlesticks . Muskets issued doric china longton england .to the Grenadiers were usually shorter and stouter in the barrel than the standard type 19th century bavarian side chairs . Some of them were fitted with steel grenade cups for firing grenades antique austria 1855 - 1953 statues . (A practice which was to be revived in the war of 1914-18 czechoslovakian lustreware .)
It was probably intended that as soon as economically practicable matchlock muskets should be converted to the more expensive flintlock william kent eagle console . It is likely that the battle of Sedge-moor was the last action in which matchlocks constituted the bulk of the infantry armament antique japanese tea table mother of pearl . By 1700 there can have been few, if any, matchlocks left antique brass mirror convex eagle .
All carbines and pistols were flintlocks staffordshire william kent . The former were lighter and smaller versions of the muskets with a barrel length of thirty-six inches boulle furniture . They had a steel suspension ring which moved on a ‘traveller’, or iron bar about world war 1 antique shovels . ten inches long, and was connected to a swivel and runner on the carbine belt antique octagon oak table . Pistols had a fourteen-inch barrel 4 section antique cutlery box .
The new muskets were issued with the plug bayonet regency pedestal desk buhl marquetry . This, of course, had the dual disadvantage that when it was fitted in the barrel the musket could not be fired, and when it was not so fitted the musket was not a close-quarters weapon antique 19th mahogany hepplewhite card table . These limitations led to the disaster of Killiecrankie in x689, when the English infantry were caught by the charging Highlanders in the process of fixing their bayonets into the musket barrels value of empire style china closet 1910 .
As a result of Killiecrankie, experiments seem to have been made with the ‘ring’ bayonet half tester bed . This was fitted to the musket by means of two rings which passed over the end of the muzzle and the grip of-the bayonet covered bowl/antique chinese doucai . General Hugh Mackay claimed that he invented this after the battle of Killiecrankie; but Puys6gur says that a regiment of the French Army had these bayonets in 1678 antique chests of drawers south wales .
The ring bayonet does not seem to have been a success; but the next invention, the socket bayonet, was 18th empire furniture . In this type the blade was attached to a short tube or socket which slid over the muzzle end of the musket barrel baroque rationalism . Socket bayonets suffered from the same initial trouble as the ring bayonets, that the external diameter of musket barrels varied too much to provide a standard bayonet which would fit even the majority of them american art deco bar furniture . Plug bayonets had a tapering handle and could thus be thrust into any barrel antiques table clock 1700 . In an effort to remedy the trouble bayonets with a socket split lengthwise were made, the idea being that the diameter of the socket could be adjusted to the size of the barrel which it was required to fit barley sugar twist pillars timber . Some antique display . of these were issued to Killigrew’s Dragoons in 17o6; for their equipment schedule lists: ‘Split socket bayonets to serve over a full bored musket’ antique china carving furniture .
Pikemen finally disappeared from the Army in 1702, and thereafter all private soldiers of the infantry were armed with musket and bayonet william iv furniture . The situation as regards the latter was, however, somewhat chaotic care of antique oak chest woodworm rot . An Ordnance Board report of 1706- says: ‘All the regiments raised since the disuse of pikes (1702) have provided bayonets india brass table tray . dutch delph pottery marks . biedermeier antique de . at their own charge 19th century 5 legged table . Few of the officers agree in the sort of bayonets fit to be used or in the manner of fixing them as may appear by the various sorts there are of them in the Army modern oriental writing bureau .’ It is probable that throughout the wars of William III and Anne most units were still equipped with the plug bayonet holland and sons ivory marquetry . But the socket bayonet must have been in fairly extensive use; for the Ordnance records of 1704 show that socket bayonets had been sent to Portugal, although 3000 plug bayonets were available in the Tower stores 17th century oak tables .
The blade of the socket bayonet appeared in a number of different shapes before a 1800’s library table . standard type was finally adopted england biedermeier chest of drawers . This was triangular in section, tapering to a point, and with two of its sides deeply grooved, or ‘fullered’ glasgow art nouveau antiques . With various modifications this triangular socket bayonet remained as the standard Army weapon until 18 8 8 19th century drum table examples .

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`We pelted at one another till half an hour before day, and then we heard not any noise, but saw light matches upon a wall, which our commanders observing, sent one to discover -whether they had quit the field or not, who brought news that they were gone.
“Tomas my fortune in a direct line to charge their general of horse, which I supposed to be so by his place; he discharged his carbine first, but at a distance not to hurt us, and afterwards one of his pistols, before I came up to him, and missed -with both: I then immediately struck into him, and touched him before I discharged mine; and I’m sure I hit him, for he staggered, and presently wheeled off from his party and ran. … Follow him I did, and in six score yards I came up to him and discharged the other pistol at him, and I’m sure I hit his head, for I touched it before I gave fire … but he was too well armed all over for a pistol bullet to do him any hurt, having a coat of mail over his arms and a headpiece (I am confident) musket proof, his sword had two edges and a ridge on the middle, and mine a strong tuck.’
The tuck which Atkyns referred to was a thrusting sword which was shorter than a rapier.
As a result of the lessons of the Civil War General Monk, in his Observations of 1646, listed the weapons he thought most suitable for the different branches of the Army. These may be summarized as follows:
Horseman—A flintlock carbine, or a musket with a barrel of carbine length, with a substantial stock; a stiff long tuck.
Musketeer—A musket and rest; a scourer to clean the musket; a swinefeather with the head of a rest fastened to it. (This was an iron stake with a point at each end; one to stick in the ground and the other as a defence against horse.)
Pikeman—An i8-foot pike with a small steel head, a stiff tuck, not very long (’For if you arm your men with swords, half the swords you have in your Army amongst your common men will, upon the first march you make, be broken -with cutting boughs’).

FIG. 48. SWINEFEATHERS.
Top: A Swinefeather and its Case.
Bottom: Combined Musket-rests and Swinefeathers.
Dragoon—A flintlock (not a. matchlock) musket (which I hold much better for dragoon service, being upon occasion they may be able to make use of their snaphaunces on horseback, and upon any service in the night they may go undiscovered’); a belt to hang the musket on; a long tuck; a swinefeather.

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The screw barrel has already been mentioned in connection with a pistol which first became popular in the reign of Charles 1. A rifled version of this `turn-of}’ pistol was produced in the Civil War to meet the demand for an accurate and hard-hitting short-range weapon. The barrel unscrewed at the breech, and the charge and ball were put into the chamber. The pistol took a very heavy charge, and the chamber .was about the same size as that of the modern bolt-action rifle. The walls of the barrel were specially thickened to withstand the force of the discharge. It has been suggested that these pistols were designed to penetrate the heavy armour which still appeared in the form of helmets and back and breast plates. An account which is given later in this chapter would seem to support this view.
These rifled ‘turn-off’ pistols were full-length cavalry holster weapons. In the cavalry tactics of the period, the discharge of pistols at the enemy formed the preliminary to the normal shock action. That little is heard of rifled pistols after the Restoration may be due to the alteration in cavalry tactics. Marlborough, for instance, would not allow his cavalry to use pistols in a set-piece action at all.
The demand for privately manufactured arms led to the names of some of the gunmakers of the period becoming famous for the standards of design, workmanship and precision of their firearms. William Upton of Oxford, for instance, was perhaps the best known of the suppliers of arms to the Royalist army. The Royalist headquarters was in Oxford throughout most of the war so that Upton was well placed to meet the requirements of the King’s officers. He made pistols and carbines, both rifled and smooth bore, and his arms were known for their quality.
Another famous maker of firearms was Harman Barne of London. He was gunmaker to Prince Rupert and made one of the earliest known breech-loading magazine rifles. Six shots could be fired in succession from this remarkable weapon, and one movement of a lever which formed the trigger guard successively loaded with powder and ball, primed the pan, closed the pan cover and cocked the lock.
Although Barne’s rifle was far too expensive and complicated in manufacture for adoption as a millt4ry firearm, it is worth describing, since it was the first conception in England of present-day requirements in a hand-operated rifle. It was nearly 25o years, however, before Barne’s ideas were incorporated in the personal firearms of the British Army..
In appearance the rifle was similar to a finely made flintlock piece of the period, save for some additional bulk round the lock. There are no obvious mechanical complications. Its mechanism is best explained by the method of loading, which is as follows:
(a) The rifle is held in the left hand, vertically with the muzzle upwards and the barrel towards the body.
(b) With the right hand the trigger guard is turned to the right and upwards.
(c) The movement of the trigger guard turns a cylindrical breech block. This passes vertically through the barrel, and is drilled through with a hole which is in line with the bore of the barrel when it is in the closed position.
(d) The trigger guard also moves a powder measure, from its normal position below and in front of the trigger. This measure normally communicates with a powder magazine which is in a hollow in the stock below the lock, and is thus filled with powder when the rifle is held vertically. As the measure moves a spring flap closes its aperture, and a similar flap closes the opening of the powder. magazine. When the trigger guard has turned through i 8o degrees the flap on the measure strikes the front of the lock plate, opens and allows the powder to pour down a channel which runs inside the plate to an aperture on the right of the barrel. The movement of the breech block has brought its central hole into the line with this aperture, and the powder runs into it.
(e) Meanwhile the other end of the breech-block hole ,has received a bullet from the bullet magazine. This is a tube containing six bullets communicating with an aperture in the left side of the barrel. Through this a bullet is fed into the breech block before the powder is introduced.
(f) The trigger guard is now reversed to its normal position. This movement actuates links on the inside of the lock plate which move the tumbler of the lock to full cock, and close the pan cover. At the same *time a small portion of powder for. priming is dropped into the pan.
The rifle is now ready for firing; the very complicated process of loading, cocking and priming a flintlock weapon having been performed by a to-and-fro movement of the hand, in the same way as with a modern bolt-action rifle.
J. N. George, in his English Guns and Rifles, is of the opinion that this rifle was made for .Prince Rupert himself; and he considers that support is given to this supposition by the stamped impression on the butt, of a capital ‘R’ and the figure ‘3; which might well be the Prince’s initial and the serial number of the weapon in his private armoury. Since Barne was a London gunsmith (the gun is inscribed ‘Harman Barne, Londini), George points out that if he made this piece for the Prince it must have been Wore the start of the Civil War, since London was, throughout, in the possession of the forces of Parliament.
Edmund Nicholson of London provided the same type of arms for the forces of Parliament as Upton did for the Royalists. He too was known as a maker of fine arms, and he was still making guns after the Restoration.

By about the middle of the seventeenth century the calibre of the various types of firearms had become more or less fixed, and there was little change during the whole of the time that muzzle-loading arms remained in use. These dimensions -were: x2-bore for a musket, with i42 bullets to the pound; 16-bore for a carbine, with 20 to a pound bullets; and 20-24 bore for a pistol, with 34 bullets to the pound. Muskets and carbines were fitted with fore and back sights until the reign of James II, but pistols had no sights.
The pike remained the standard shock weapon of the infantry
FIG. 47. RAPIR HILTS.
Prow the Tower Zrmotwy, London.
and was the complement of the musket, until the adoption of the bayonet. In 1645 its length was 15 feet, but this appears to have been increased to x 8 feet a short time later. The best steel was used for the heads, and the staves were of well-seasoned ash. From the head downwards they were protected for 3 or 4 inches with iron plates to prevent the heads being cut off by the swords of the cavalry. It was behind the protection of these long pikes that the musketeer retired when he had to go through the lengthy process of reloading his weapon.
There was no standard sword for either cavalry or infantry during this period; but for most of it the most popular weapon was the rapier, which had been introduced from the Con-tinent in the sixteenth’ century. It was a long, very light sword, generally with a rup protection below the quillons, or cross-piece, and often with a knuckle guard as well. The use of the rapier was so universal that even pikemen were equipped with it, though it was far too long for effective use in battle by a man who was already encumbered with a heavy pike.
A vivid description of the use of the various weapons of the Civil War is contained in a contemporary account by Richard Atkyns, a junior Royalist officer of Horse. He says:
`When we came within 20 score yards of the enemy, we found about Zoo dragoons half musket shot before a regiment of horse of theirs in two divisions, both in order to receive us. At this punctilio of time, from as clear a sunshine day as could be seen,, there fell a sudden mist, that we could not see ten yards off, but we still marched on; the dragoons amazed with the mist, and hearing our horse come on; gave us a volley of shot out of distance, and disordered not one man of us, and before we came up to them, they took horse and away they ran.
`I waited upon Prince Maurice, and presented him with a case of pistols, which my uncle Sandys brought newly out of France; the neatest that I ever saw, which he then wanted.
`When I came to the top of the hill, I saw Sir Bevill Grinvill’s stand of pikes, which certainly preserved our army from a total rout, with the loss of his most precious life: they stood as upon the eaves of a house for steepness; but as unmovable as a rock; on which side of this stand of pikes our horse were, I could not discover; for the air was so darkened by the smoke of the powder, that for a quarter of an hour together (I dare say) there was no light seen, but what the fire of the volleys of shot gave.

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The pike was quickly followed by a number of other shafted weapons, all of which owed their origin to it, and all for the use of the foot soldier. The linstock was intended for the artilleryman. It consisted of a pike with the addition of lateral branches on each side of the head, sometimes terminating in bird’s or serpent’s heads. These latter were intended
FIG. 12. PARTIZANS.
Edward IV; C. 1500., Henry VIII; German, c. x61o; James 1.
to hold the match for firing cannon. Previously the cannoneer had had to discard his pike in order to apply the match to the touch-hole, and was frequently slain in the process. The linstock ensured that he remained armed.
The partizan was originally something like a pike with lateral projections at the base of the blade. The blade later became longer, flatter and more ornamental, and often gilt and covered with elaborate engraving. As a mediaeval weapon it had a comparatively short practical life. After the reign of Henry VIII its use seems to have been confined to ceremonial occasions and for the arming of bodyguards.
The spontoon had a flat blade like the partizan, but it did not have the projections at the base. It had a much shorter staff than the pike, and was intended for use in closer combat,
FIG- 13. SPONTOONS.
Tower of London.
The halbert was more akin to the bill than the pike, and it has been suggested that its name is derived from the German Halb-Barthe, meaning ‘half battle-axe’. In form it was something like a pike with an axe-head mounted immediately below the pike blade; so that it could be used either for cutting or thrusting.

Swords were, of course, used at Hastings. It would be difficult to cite any pre-twentieth_century battle in which they were not carried into action. They are, by tradition, the most honourable weapon of all. the very symbol of the profession of arms.
Saxon swords were of two kinds, both being of iron; about three feet in length, and straight. One of these was double-edged and very sharp. It had no guard, not even a simple crosspiece. The other was very similar, but it had a cross-piece as a

FIG. 14. HALBERTS.
Henry VII; Henry V111; Edward V1-, Mary.
guard, and a pommel which was sometimes foliated. The hilts of these swords were generally of wood covered with leather, horn or bone. The sword hilts of some of the greater or wealthier nobles, however, were frequently covered with plates of gold or silver.
The Norm in swords can be seen on the early Royal and baronial seals, and a very similar type was used throughout the mediaeval period. The blade was long and tapering, double-edged, with a simple cross-piece guard to the hilt, either straight or curving towards the blade; the pommels being round or of various ornamental shapes. In the latter half of the fifteenth century the blades tapered to a very fine point, and the upper part was often gilt and engraved. These mediaeval swords were intended for either cutting or thrusting. The many carved effigies which remain in churches throughout the country afford abundant examples of the swords which were in fashion at different periods.

FIG. 15. SWORDS.
Henry V; Edward VI; Henry VII; 1495, engraved by
Albrecht Mirer; Henry VIII.
Saxon and Norman sword scabbards were generally of wood covered with leather, sometimes with bronze mounts. Later, scabbards of metal and cuirbouilli (boiled leather) made their appearance. From about the thirteenth century the mounts and chapel, or metal tips to the scabbard, were ornamental in shape and often heavily engraved.

FIG. 16. SWORD-BELTS.
Top row: A Septvans, Chartham Church, Kent; Brian Lord Fitzalan of Bedale, from Bedale Church, Oxford; Brass of Sir John de St. Quentin, Bransburton Church, Yorkshire. fiddle row: Sir Walter Arden, Aston Church, Warwickshire; Detail of Belt in previous illustration; Brass of a Knight in Laughton Church, Lincolnshire. Bottom row: Mode of fastening Sword-belt, fifteenth century, from• Viollet-le-Duc; Brass of John Cray at Chinnor, Oxfordshire. Ann. 1390. Sword-belt, Queen Elizabeth.

FIG- 17- SWORDS.
Top row: Edward IV-, Henry VI; Henry VII; Henry VII; Henry VIII; Queen Elizabeth. Middle row: Queen Elizabeth; Queen Elizabeth; Queen Elizabeth; Queen Elizabeth; Henry VIII. Bottom row-. Queen Elizabeth; Henry VIII; Henry VIII; Henry VIII-, Queen Elizabeth-, Sword of Wolfgang Wilhelm, Count Palatine of the Rhine, 1614-

The bow was well known, of course, to the Saxons, but it was used by them far more for hunting than for war. It was the Normans who showed on an English battlefield what a formidable weapon it could be. Nevertheless, even for the Normans the bow was very much of an auxiliary weapon, and it is surprising what a small part it played in warfare for two and a half centuries after the battle of Hastings.
The bows of the eleventh century    Thirteenth century;
were short, stretching only from head    Fourteenth century.
to knee, and they had nothing like the power of the later bows which were to make the English archers so famous. It was Edward III who raised a disciplined force of archers, probably owing to a shortage of heavy horses for men-at-arms, and thereby revived infantry as a factor on the battlefield. The shooting power of these new troops was demonstrated to an astonished Continent at the battle of Crecy in 1346.
The English archers were armed
with a bow measuring six feet or more,
and made chiefly of yew, but sometimes
of ash, elm or witch-hazel. The bow-
string was of hemp, flax or silk. The
standard arrow, the ‘cloth-yard shaft’,
was made of ash, oak, birch or one or
two other woods. The point was of
burnished steel, and it was winged
with feathers from the grey goose; or sometimes the peacock,
the swan or other birds. The bow was generally carried in a case to protect it from the weather and to stop it from warping.
That bows and arrows were adequate both in quality and numbers’was always of concern in mediaeval times. In 1405, for instance, it was found that faulty heads had been made for arrows and quarrels. As a result a statute was promulgated directing that, ‘All the Heads for Arrows and Quarrels after this Time to be made, shall be well boiled or brased, and

FIG. 20. CRAPES.
Henry VIII, Dagger Sheath; Henry VIII, Sword Sheath;
1321 Sword Sheath from effigy in Hereford Cathedral,
hardened at the Points with Steel’ ; and also that, ‘E very Arrow head and Quarrel be Marked with the Mark of him that made the same’. During the latter part of the fifteenth century there was apparently a constant shortage of bowstaves. In 1472 it was decreed that any merchant ship coming from a foreign city, town or country, which had at any time sent bowstaves into England, was to bring four bowstaves with every ton of merchandise. In 1483 there was some trouble with the Lombards, who had been guilty, apparently, of supplying very poor bowstaves, and of profiteering in them as well. They were cnsequently required to include ten good bowstaves free of charge with every butt of wine imported into England.
It was a long time before hand firearms replaced the long bow in England. In the hands of the English archers the latter was a far more accurate weapon than the early and primitive firearm; and it excelled it, too, both in range and rate of discharge. It was not till the sixteenth century was well advanced that the bow was finally superseded; and this was due more to the shortage of trained archers than to superiority in the firearms of the day. It took practice from youth up to train an archer, and in the hey-day of archery it was practised on every village green. But the spread of firearms and their use for sport inevitably resulted in a growing dearth of young men who could draw the long bow. Henry
VIII did his best to keep up.
the standard of archers. In    Left: Steel Sheath, Henry VIII. a statute of i Sog he forbade Right: Copper Sheath, Elizabeth I.
the use of gun or crossbow except under special licence from the King; and in a further statute of 15 11 he required every man under the age of forty to provide himself with bow and arrows and to practise shooting with the long bow.
At the battle of Flodden the bow was still the principal missile weapon of the infantry, but the use of firearms was already increasing rapidly. In 1537 Henry VIII recognized the inevitable, and granted a patent to the overseers of the Guild of Saint George (now the Honourable Artillery Company) by which they and their successors were authorized to establish a perpetual fraternity or guild of artillery and ‘to exercise themselves in shooting with the long-bow, crossbow, and hand-guns’.

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The lance was, of course, the weapon specially associated with the knight. At its head, in the great days of chivalry, it bore the small flag which indicated the knight’s rank and. status. A baron or knight-banneret had a square or rectangular banner emblazoned with its owner’s arms. A knight commanding in the field had a swallow-tailed pennon, also
FIG. 6. BATTLE-AXES.
2, Henry VIII; 3 & 4, Elizabeth I; 5, James I; 6, Dutch.
emblazoned with his arms. If, for his distinguished conduct in action, he was made a knight-bannerct on the battlefield, his pennon was converted technically into a banner by cutting off the swallow tails. An ordinary knight, fighting in the ranks, carried a triangular pennon, or pensil, on which might be either his badge or arms, and frequently depicted so that they were the right way up when the lance was horizontal. In the reign of Henry VIII all this gay individual heraldry was swept away, and the lances of the cavalry bore the white pennon and red cross of St. George.
There were a number of other shafted weapons which had their origin in mediaeval times; some of them lasting until a
FIG. 8. BATTLE-AXES. From the Bayeux Tapestry.
much later period of history. The oldest of these was probably the battle-axe, which was used by the Normans at Hastings, and it had some affinity with the Saxon bill. It had, however, a much shorter shaft, and was essentially a weapon for the mounted man. Another early weapon was the guisarme, which was a form of lance with a hook at,its side, and which was known to the Normans in the eleventh century. It was probably derived from the peasant’s ox-goad.

FIG. 9. MACES.
Top row: Quadrelle, temp. Edward IV; Massuelle, temp. Richard III; temp. Henry VII with hand-gun; Henry VIII; Philip & Mary. Middle row: Mace, temp. Henry V-, Henry VI; Henry VI, Edward IV; Henry VII; Henry VII; Henry VIII. Bottom row: Henry VIII; Henry VIII; Henry VIII; Edward VI.

The guisarme appears to have been little used in England, but from it came a derivative which was very popular in Wales. It had a broad, heavy, pointed blade on the end of a long shaft, and could be used either for cutting or thrusting. Presumably experience of it in the Welsh wars had impressed its value on the English, for in the first year of Richard III’s reign one Nicholas Spicer is recorded as having issued an order for the impressment of smiths to make Zoo Welsh glaives. Chaucer gives a hint at its formidable nature in a line: ‘And
FIG. 10. PIKE HEADS.
Left to right: Henry VII;’Henry VIII; Edward VI; Elizabeth I;
James 1; Charles I; Cromwell; Charles II; Charles II.
whet their tongue as sharp as sword or glaive’. In the sixteenth century the glaive was fashioned in all manner of decorative shapes, and generally richly engraved.
The baston is another of the shafted weapons of the Bayeux Tapestry. At its best it was an iron-tipped staff, but was sometimes merely a wooden bludgeon or a knotted club. It was succeeded by the similar but much more decorative mace. Maces became very popular with the many war-like prelates of the Middle Ages; since by using this arm in battle they were able to persuade their elastic consciences that they were evading the condemnation of all holding office in the Church who fought with the sword. Maces were made in all sorts of decorative and fantastic shapes, and they were the weapons of the King’s Serjeants-at-Arms as early as the fourteenth century. There was a smaller kind of mace called a masuel. This must have been a cheap, handy and dangerous little weapon, for it was included in the list of arms which Edward 1, in the first year of his reign, forbade his turbulent London subjects to carry.
The pike, which from the time of its introduction until the coming of the bayonet was to be the main shock weapon of the British infantry, did not reach England until the reign of
FIG. II. LINSTOCKS.
Early Italian; Elizabeth I; Elizabeth I; Charles 1.
Edward IV. It could not claim to be an original weapon; for it was merely a modification of the cavalry lance adapted to the needs of infantry, and a reintroduction in a slightly different form of the earlier short and light infantry spear. Nevertheless, its appearance on the continent of Europe in the hands of well-disciplined infantry revolutionized military tactics. For the first time for centuries infantry had a shock weapon with which they could face and repel cavalry. For 400 years mounted troops had dominated the battlefield. That place was now to be taken by the infantry until armoured formations arrived to-redress the balance some 5oo years later.

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This is the story of the weapons used by the British soldier throughout the ages, and the many developments in personal arms during the course of history, and the reasons which influenced their design. It starts at the Battle of Hastings in which the seeds of the British army were sown, and it ends with the short magazine Lee-Enfield rifle which served the British Army through half a century and two world wars.
It is interesting to learn that in the days of chivalry the weapons of the aspirant to the order of Knighthood were placed at the altar and were never to be used save in defence of honour, virtue and justice. The hilt of his sword was the emblem of Christianity, and to this day the pressure of his lips on the Cross is commemorated in the officer’s salute. It is facts such as these which help to explain the fascination which hand weapons have for so many.
From military arms have descended their counterparts in the chase, in sporting combat and on the range. These too form an interesting study, both in the multiplicity of their design and types, far exceeding the recognized weapons of war.
The craftsmanship shown in the manufacture of these weapons, of which many fine examples are illustrated in this volume, will appeal to both the connoisseur and the collector, besides the fascinating story of how they came into use.

During his long vigil through the hours of darkness the weapons of the aspirant to the order of knighthood were placed at the altar. He was taught that these weapons must never be used save in the defence of honour, virtue and justice. The hilt of his sword was formed in the shape of the emblem of Christianity; and to this day the pressure of his lips on the Cross, as he draws his sword, is commemorated in the Officer’s salute.
It seems probable that it is this tradition of the higher symbolism of weapons that has been largely responsible for the care and attention which, throughout his history, the British soldier has been exhorted to bestow upon his personal arms.
It is no doubt the glamour of ancient chivalry which explains in part the fascination which hand weapons have for so many. This is not, of course, the sole reason. The skill and craftsmanship so often shown in their manufacture, and the fact that they are of a convenient size for handling and display, invite the attention of the collector.
From military arms have descended their counterparts in the chase, in sporting combat and on the range. These too form an attractive study, but in the multiplicity of their type and design they exceed by far the authorized weapons of war; and to deal with them adequately would be beyond the scope of any one book.
This, then, is the story of the weapons which have been used by British fighting men, and of such developments which have influenced their design. It starts, since it must start somewhere, at the Battle of Hastings, in which the seeds of an eventual British Army were sown; and it ends with the supersession of the Short Magazine Lee-Enfield rifle, which served the British Army through half a century and two World Wars.

If one takes the battle of Hastings as a starting-point in a history of weapons, one must logically start with the bill; for this was the principal weapon of the armies of the Saxon kings. It consisted of a heavy axe-type blade, sometimes hooked or curved, set at the end of a long staff or handle. It was wielded with both hands as an axe, and a trained man became remark-7 ably skilled in its use. Few troops could face the steel wall of
FIG. I. SAXON BILLS.
the English household infantry with its line of flashing and cleaving bills. Even the Normans failed to break them by direct shock attack; and to the last they remained formidable as they died in compact groups round their fallen King.
William the Conqueror was too able a soldier to contemplate changing the infantry weapon of his new subjects, and the bill remained as one of the principal arms of the English foot soldier for many centuries after the Conquest. In any riot or tumult in mediaeval times the cry would be heard of, ‘Bills and Bows I Bills and Bows V
FIG. 2. TnE BOAR SPEAR. From ajourtrenth-centuiy MS.
It was not until the introduction of the pike in the fifteenth century that the bill began to lose its pre-eminent place as the infantry shock weapon. Even then it was by no means
0
Ij
FIG. 3. THE SPEAR IN BOAR HUNTING.
From the Cotton MS., ninth century.
replaced, for the Italian Daniel Barbaro, writing in ISS 1, notes the billmen as one of the elements of the’ English infantry. He says that their weapon was ‘a short thick staff, with an iron, like a peasant’s hedging bill…. With this, they strike so violently as to unhorse the cavalry; and it is made short because they like close quarters.’
As late as 1584 there were still a substantial number of billmen in the English forces; for a muster of the troops oil the Scottish border showed that out of about 7400 infantry, 2500 were armed with bills.
From the Bayeux Tapestry it will be seen that both sides at the battle of Hastings were armed with shafted weapons which
FiG. 4. Baas.
Left to right -. Henry IV, Edward IV, Henry VII, Elizabeth I,
Seventeenth century.
appear to be of identical design and something of a cross between lance and javelin; for they are depicted as used by both horse and foot for either throwing or overhand thrusting, and by the mounted knights in the ordinary fashion of a lance.
The spear had been used from very early times in these islands, and it had always formed part of the equipment of the Anglo-Saxon forces. At the time of the Norman invasion it was carried by the English household troops, probably as a secondary weapon, for use either in close combat or to be hurled as a javelin. In defence the latter method was the more likely, in order to break up the ranks of the attackers before they came to close contact with the steel wall and its formidable bills
The early Norman lance was of light construction and very similar to the Saxon spear. It underwent little change during the twelfth and thirteenth centuries, though it may have been lengthened and -was probably eventually about thirteen or fourteen feet. The shaft was originally of ash, but in Chaucer’s day it seems to have been more commonly made of cypress wood. In the fourteenth century some protection was given

FIG. 5. SPEAR & LANCE HEADS.

1-3, British, 4-8, Anglo-Saxon, Norman; 9 & io, Fifteenth century;
i i & 12, Sixteenth century.
to the hand by fixing a small round plate (the ‘vam-plate’) to the shaft. In the fifteenth century the shaft of the lance was tapered. Instead of being comparatively narrow and of the same thickness throughout, it was increased in diameter from the point downward and a grip was made for the hand. Towards the end of the century, in the time of Edward IV, the shaft was fluted and the butt ends were shaped to various designs. The fourteenth-century tilting lance was extremely thick and was frequently painted spirally with the distinctive colours of its bearer.

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